Showing posts with label Healthcare. Show all posts
Showing posts with label Healthcare. Show all posts

COVID-19 Discrimination fueled by Governments


During COVID-19, elected figures may take advantage of pandemics like COVID-19 to push political agendas that promote higher levels of bigotry and inequality against some classes in society, or that undermine liberal democratic institutions.

 When it comes to allocating limited health services or economic assistance, governments can favor some citizens over others. Some politicians and public figures, such as Italy's former interior minister Matteo Salvini, who has been particularly outspoken about border security, have used the pandemic politically. The pandemic offered cover for him to criticize his political rivals and push an uncivil and racist anti-migrant campaign, which targeted African migrants in particular. Messages and initiatives like this may have devastating effects for historically oppressed people, which are much more vulnerable in the light of COVID-19.


Politicians may also use the global health issue as a pretext to continue attacking western democratic institutions and liberties. 

The pandemic has the potential to escalate authoritarian overreach and populist politicians' opportunistic accumulation of control. In the name of public health, defense, and general national security, leaders can further muzzle minority groups and take unilateral action against certain segments of society. Hungary's Viktor Orbán, for example, has imposed stringent restrictions on free expression, granting himself full authority to enact new legislation calling for up to five years in jail for dealing with quarantine efforts or releasing what he considers to be "false news."


This initiatives have the potential to successfully censor political opponents and healthcare professionals who can oppose government health policies. 

The virus, according to Orbán, is a challenge related to unwelcome migrants. '[w]e are fighting a two-front battle,' he says, emphasizing the connection between the virus and migrants. The migration front is one, and the coronavirus front is the other. It appears that Orbán will use his emergency powers to promote nativist policies that threaten communities he perceives as threats, such as global business interests, cosmopolitan leaders, international students, and refugees.





COVID-19 provides opportunities for inequality and blatant coercion for a wide variety of governments around the world. 

Expanded repression, systematic censorship, bans on freedom of movement, and harsh sentences have given hundreds of regimes the power to tighten liberal democratic standards and discriminate against some of their people. With systematic suppression of fundamental civil liberties, potential challenges to political and social freedoms, as well as other human rights, are particularly pronounced. Many of the threats COVID-19 presents to western democratic values and systems have been identified by prominent international organizations such as the United Nations, which have formulated guidelines for governments to implement in order to prevent bigotry and sexism during the pandemic. 



In certain nations, selective lockdowns highlight some of the difficulties policymakers face in juggling public health issues with protecting the rights and safety of the general population.

Protesters in Madrid, for example, accused the regional government of discriminating against the poor by ordering targeted lockdowns in low-income areas. The government insisted that the interventions be enforced in regions where infection rates were the greatest. However, one official indicated that the higher infection rates were partly attributed to immigrants' "way of life," complicating claims that policies were made purely on the basis of pragmatism. A planned lockout was also imposed on residential towers in Melbourne, Australia, in order to contain an epidemic among residents. Those who saw the reforms as punitive and felt they put a particularly heavy burden on people from already vulnerable communities criticized the ‘heavy-handed' hard lockout of, public housing tenants. A former UN special rapporteur went so far as to call the government's reaction "shocking and highly biased," also suggesting that it was a "attack on human dignity." 



The pandemic has posed several threats to moral civility values. Overt hatred and religious bigotry, in some of the worse situations, will exacerbate tensions in already segregated communities.


Islamophobia and a hospital's failure to treat two Muslim women in India, for example, resulted in the death of their newborns in an especially horrible incident.

Political and social officials must work quickly to resolve overt discrimination and help represent the demands of vulnerable people. The public must be aware of the pandemic's unfair impact on certain populations and assist in protecting the most disadvantaged whilst still helping to combat injustice and risks to liberal democratic norms. Domestic policymakers and foreign organizations all have a role to play in better recognizing and combating these challenges, which includes improving justice, oversight, and the rule of law. 



Policies aimed at preserving and enhancing moral civility do not only target acts that expressly violate liberal democratic values; they should also provide measures to improve government in general. 

As a consequence of deliberate segregation, the virus will overwhelmingly impact the most culturally and linguistically diverse segments of several major cities. 

However, segregation may often be unintended or secondary, as a result of linguistic differences or a lack of government involvement with some ethnic groups. Multi-pronged methods that incorporate meaningful communication, clear content through cultures, and purposeful interaction with a target audience will help governments and public health authorities effectively disseminate messages. In multilingual cultures, for example, English-language messaging could approach younger family members with the goal of a corresponding "re-narration process" among other family members in their native tongue. 



In addition to engaging multicultural groups in the implementation of appropriate policies, it is critical to adapt communications to their beliefs, distribute knowledge through trustworthy messengers (e.g. religious leaders), use open contact networks (e.g. social media), and establish multicultural organizations that can educate national policymakers on health issues.


Understanding the unique demands and concerns that diverse populations face, as well as having the input needed to ensure the adoption of successful public health strategies, requires consultation. Efforts to provide for and strengthen the concerns of vulnerable people may serve to mitigate some of the pandemic's disproportionate impacts on populations, which can be seen as (un)intentional prejudice. Consultation will also help people make better decisions regardless of their identity symbols, such as age. 

For example, we saw surges in cases of viral transmission among young people at different times during the pandemic, including major outbreaks at US universities.

To find innovative ways to limit the transmission of the virus, come up with targeted solutions to alleviate burden on mental wellbeing, and enlist them in a movement to fight disinformation on social media, there is an immediate need for dialogue and co-design with young people.






Iphigenia In Splott




In Gary Owen's sizzling monologue of a play, Iphigenia, we first meet the tough-as-nails Effie. She's hunched over in a chair, half-buried in a hoodie in Splott. She slowly rises to her feet, glares at us, and addresses us aggressively: 
"You're all familiar with me. Your eyes dart for the ground as I strut down the lane."

Effie (scathingly played by Sophie Melville) introduces herself early on as a depressed and troublesome young working class woman in this import from Wales, a production of the Sherman Theatre, Cardiff as part of the Brits Off Broadway Festival at 59E59 Theaters. For all we know, she might very well be the "stupid slag" and "nasty skank" she refers to herself as on many occasions as she chronicles her daily ritual of drinking, one-night stands, and lingering hangovers.

Ms. Melville moves through the sparsely furnished performance room (a few seats and a smattering of neon lights) like a fighter, feinting, ducking, and jabbing before lowering her guard to share her story. And what a story it is, with tough-guy rants interspersed with an unusually traumatic and sensitive account of raw insecurity.

The mood shifts as Effie recounts one of her wild and woolly drunken adventures, during which she meets Lee, an ex-soldier who has lost a leg below the knee. She manages to lose her cynicism over the span of a single night with Lee, and for the first time in her life, she feels something different, a sense of not being alone. This renewed ability to take high-stakes interpersonal risks marks a watershed moment in Effie's life, as well as in our perceptions of her. 

Our hearts go out to Effie and stay with her through the highs and lows of the rest of the 80-minute play, thanks to the playwright's perfect ear for his protagonist's voice, Sophie Melville's exciting production, and Rachel O'Riordan's direction.

Effie's night-with-the-perfect-stranger, unfortunately, though not unexpectedly, leads down an unhappy road ("fucked and dumped," is the way she efficiently puts it). Despite this, she has been left with a permanent reminder. She's expecting a child, and she sees the new life within her as more evidence of her "not alone" feeling.
And though, the playwright isn't done with her. He contributes to the pain by entrusting her to a woefully deficient healthcare system, which leads to yet more heartbreak. We are awestruck by Effie's determination as she wraps up her plot, in which her lover and government agencies are let off the hook as she is left to deal with the crippling consequences. And we admire and appreciate her last outburst: ""I'm wondering," she says, her voice brimming with anger, "how long are we going to have to bear it?" And I'm curious as to what will happen when we've had enough?"

The play's title, Iphigenia In Splott, is a nod to the Greek myth of Iphigenia, who is sacrificed to give the Greeks an advantage in the Trojan War.

People like Effie are forced to make sacrifice after sacrifice when their support structures are torn apart. Through her last fiery explosion, we are compelled to acknowledge that we are not simply looking through the sea at the hardscrabble blue-collar city of Splott in faraway Wales.

We're still up against the unbridled frustration of millions of people in our own world, whose lives are being jeopardized by slashed budgets and cuts to education, housing, and social services. We must remind ourselves, "What's going to happen" when they can't bear it any longer?

As Effie, Sophie Melville is breathtaking. She perfectly captures the drama, zeal, and occasional humor of her difficult job. Effie is a complex character that, at first, seems obnoxious and divisive, but eventually gains sympathy and to be respected. Melville is a master of both of them.



The Creative Team has done a top job of bringing 'IPHIGENIA IN SPLOTT' to the stage with:

Design by Hayley Grindle; 
Lighting Design by Rachel Mortimer; 
Sound Design by Sam Jones. 
Casting Director is Kay Magson, CDG; 
Company Stage Manager, Charlotte Unwin; 
AEA Stage Manager, Veronica Aglow.

This is an essential time in our society for us to recognize individuals like Effie and take a close, empathetic view of people and their struggles. IPHIGENIA IN SPLOTT is a gripping, must-see play for metro area audiences.

IPHIGENIA IN SPLOTT is produced by Sherman Theater

The show runs for 80 minutes with no intermission. 
It is being performed on a limited engagement through Sunday, June 4th at 59E59 
Theaters located at 59 East 59th Street between Park and Madison Avenues. 
The performance schedule is Tuesday - Thursday at 7:15 PM; Friday at 8:15 PM; Saturday at 2:15 PM & 8:15 PM; and Sunday at 3:15 PM. 

Tickets are $25 ($20 for 59E59 Members). 
To purchase tickets, call Ticket Central at (212) 279-4200 or visit www.59e59.org.