27 MIND-BENDING PHOTOS FROM AUSTRIA'S WORLD BODYPAINTING FESTIVAL

 

Created in the south of Austria 1998, this is one of the most kaleidoscopically weird fests around – and has since helped redefine the genre of body-painting into the art-form it is today. 

The World Bodypainting Festival hosts artists and models from over 40 different countries, all of whom do their best to shock and entertain visitors at the world championships for bodypainters.

Artists compete in the following categories: Brush/Sponge, Airbrush, Creative Make-up, Special-effects Make-up, Face Painting and the UV Award. 

Themes such as Artificial Intelligence are selected each year to help with the judging process.

Of course, the human body has been used as a canvas by people and from all across the world for thousands of years. 

From make-up to tattoos, basically every culture in history has painted and adorned themselves in some form of celebration or ritual.

Both male and female models are selected by the artists. 

It is a regulation that models must be wearing underpants while painted and female models have the option to go topless if they wish. 

The vast majority of models are unpaid and volunteer to take part in this unique, transformational experience. 

Creating living breathing art takes patience, skill and a great deal of concentration. 

At the end of each day the human art-forms parade down the catwalk while photographers jostle for position in order to capture the perfect shot. 

There is big money at stake for the top three photos and award-winning artists.

Speaking of photos, here are some stunning ones from this year's festival, so you can see just how psychedelic this body art truly is. Prepare to be wowed.


































World Theatre Day Message 2015



The author of the Message of World Theatre Day 2015 is the Polish director Krzysztof Warlikowski!


The true masters of the theater are most easily found far from the stage. And they generally have no interest in theater as a machine for replicating conventions and reproducing clichés. They search out the pulsing source, the living currents that tend to bypass performance halls and the throngs of people bent on copying some world or another. We copy instead of create worlds that are focused or even reliant on debate with an audience, on emotions that swell below the surface. And actually there is nothing that can reveal hidden passions better than the theater.




  
Most often I turn to prose for guidance.  Day in and day out I find myself thinking about writers who nearly one hundred years ago described prophetically but also restrainedly the decline of the European gods, the twilight that plunged our civilization into a darkness that has yet to be illumined. I am thinking of Franz Kafka, Thomas Mann and Marcel Proust. Today I would also count John Maxwell Coetzee among that group of prophets.

Their common sense of the inevitable end of the world—not of the planet but of the model of human relations—and of social order and upheaval, is poignantly current for us here and now. For us who live after the end of the world. Who live in the face of crimes and conflicts that daily flare in new places faster even than the ubiquitous media can keep up. These fires quickly grow boring and vanish from the press reports, never to return. And we feel helpless, horrified and hemmed in. We are no longer able to build towers, and the walls we stubbornly construct do not protect us from anything—on the contrary, they themselves demand protection and care that consumes a great part of our life energy. We no longer have the strength to try and glimpse what lies beyond the gate, behind the wall. And that’s exactly why theater should exist and where it should seek its strength. To peek inside where looking is forbidden.

 “The legend seeks to explain what cannot be explained. Because it is grounded in truth, it must end in the inexplicable”—this is how Kafka described the transformation of the Prometheus legend.  I feel strongly that the same words should describe the theater. And it is that kind of theater, one which is grounded in truth and which finds its end in the inexplicable that I wish for all its workers, those on the stage and those in the audience, and I wish that with all my heart.

---Krzysztof Warlikowski


Supported by Theatre Communications Group and the U.S. Center of ITI













She Who Heals




Mother, sing me a song
That will ease my pain,
Mend broken bones,
Bring wholeness again.
Deliver my children
When they are born,
And When it's time

Sing my death song,
Teach me how to mourn.
Show me the Medicine
Of the healing herbs,
The value of Spirit,
The way I can Serve.
Mother, heal my heart
So that I can see
The gifts of yours
That can live through me.



~~~~~~~~~~~~ ♀*♁ ~~~~~~~~~~~~

Sacred Mother 





Sacred Mother of All That Is
I Revel in Thy Divine Bliss
You Walk With Me in Thy Shining Light
Throughout this Day and Throughout the Night
You Surround and Enfold Me with Your Loving Care
You are My Rock, My Foundation, You are Always There
Great Mother Goddess who Gives the Breathe of Life
Hold Me Safe from Harm and Safe from Strife
May I Forever Walk in Thy Blessed Light
May it Dwell within Me, May it Shine So Bright
In Thy Perfect Love and Harmony
In Thy Perfect Trust….  I Jai Krishna Will this to BE ! 



To Love Like a Luna Moth





☽~O~☾


☽~O~☾

There is a special world for you and me
There is a special bond that none can see
Like Souls in chrysalises 
It wraps us deep inside its cocoon
And holds us fiercely within its womb.

☽~O~☾

This body shines like fine spun gold
Gently nestling us to the fold
Like strong silken thread it holds us fast
Bonds like this are meant to last.

☽~O~☾

As our Spirits morph and emerge
There will be times when a thread may break
But a new one shall form in its wake
To bind us closer as we transform To bind us together and keep us strong

In a special world, In an Eternal world, where we belong.

☽~O~☾

P.S ~ The striking Luna moth emerges from its cocoon without a mouth because its short life will be devoted entirely to Love. Although I can’t know what the now of this moth without a mouth might be, I hope they are content with how their design ensures posterity. The organ of their larval duty—Consuming every leaf in sight—Effaced for purposes of beauty that serves a different appetite. I trust they just desire to merge. 



Desert Dancer – Official Trailer HD



Set in Iran, this powerful and unbelievable true story follows the brave ambition of Afshin Ghaffarian. During the volatile climate of the 2009 presidential election, where many cultural freedoms were threatened, Afshin and some friends (including Elaheh played by Freida Pinto) risk their lives and form an underground dance company. Through banned online videos, they learn from timeless legends who cross all cultural divides, such as Michael Jackson, Gene Kelly and Rudolf Nureyev. Afshin and Elaheh also learn much from each other, most importantly how to embrace their passion for dance and for one another. 



Facebook: https://www.facebook.com/desertdancer...
Twitter: https://twitter.com/desertdancer
Instagram: http://instagram.com/desertdancermovie

Blessed Imbolc: A Hymn to Brighid





A Hymn to Brighid 




 “Blessed be the Goddess of Creativity, Blessed be Brighid, The Bright One, Our Goddess of the Forge. Teach me, Dear Goddess, to bear the fires of transformation, 
the furnace that tempers my blade and the flame that makes me strong and True. Be with me O' bright one as I blaze my trail.”

~Jai Krishna Ponnappan



The goddess Brighid was known by many names. In parts of northern Britain, she was called Brigantia, and was seen as a keeper of the forge. In this aspect, she is associated with smithcraft and cauldrons. She was connected to the Roman goddess Victoria, a deity who was the personification of victory in battle, as well as loyalty. In some legends she is invoked as Minerva, the warrior goddess. Although as Brigantia she is not nearly as famous as her Brighid aspect, she is seen as the goddess who bestowed the title of Brigantes upon a pan-Celtic tribe in England's border region. Imbolc or Brigid’s Day, February 1, marks the start of Celtic spring, or about halfway between the winter solstice and the spring equinox. It is one of the four major "fire" festivals (quarter days), referred to in Irish mythology from medieval Irish texts. The other three festivals on the old Irish calendar are Beltane, Lughnasadh, and Samhain. Brigid is a fire goddess. Her canonization is celebrated by Christians with a perpetual flame at her shrine in Kildare.



Hail, Brigantia! Keeper of the forge,


she who shapes the world itself with fire,

she who ignites the spark of passion in the poets,

she who leads the clans with a warrior's cry,

she who is the bride of the islands,

and who leads the fight of freedom.

Hail, Brigantia! Defender of kin and hearth,

she who inspires the bards to sing,

she who drives the smith to raise his hammer,

she who is a fire sweeping across the land.


Smooring the Fire
 by Alexander Carmichael 


"An Tri numh (The sacred Three)
A chumhnadh, (To save,)
A chomhnadh, (To shield,)
A chomraig (To surround)
An tula, (the hearth)
An taighe, (The house,)
An teaghlaich, (The household,)
An oidhche, (This eve,)
An nochd, (This night,)
O! an oidhche, (Oh! this eve,)
An nochd, (This night,)
Agus gach oidhche, (And every night,)
Gach aon oidhche. (Each single night.)
Amen."


Alexander Carmichael was a folklorist and author who spent nearly five decades traveling around the highlands of Scotland collecting stories, prayers and songs. His most noteworthy work, the Carmina Gadelica, is an interesting blend of early Pagan tradition mixed with the influences of Christianity. Smooring the Fire is from Carmichael's Carmina Gadelica, published 1900, and is a Gaelic hymn to Brighid, honoring the tradition of smooring, or dampening, the hearth fire at night, and particularly on the night before Imbolc.

Ballet Performance + Art Exhibition = NYCB Art Series & Dustin Yellin




Brooklyn-based artist Dustin Yellin brings a collection of his glass sculptures from the ongoing Psychogeographies series to New York City Ballet for the third presentation of Art Series, which welcomes contemporary artists to our Lincoln Center home.







NYCB ART SERIES commissions contemporary artists to create original works of art inspired by our unique energy, spectacular dancers, and one-of-a-kind repertory of ballets. New York City Ballet has worked with leading and emerging artists throughout the Company’s history — luminaries like Andy Warhol, Keith Haring, and Julian Schnabel. We are proud to continue this tradition with Art Series and look forward to partnering with Brooklyn artist Dustin Yellin in 2015.


Find Out More At: http://www.nycballet.com/artseries

February 12, 19, 27. On Sale Now. All Tickets $29.

Limit of 6 tickets/performance:
http://www.nycballet.com/Season-Tickets/Winter-2015/HEAR-THE-DANCE.aspx

Have a belief that is based upon Eternity


The Robert Cochrane Letters: An Insight into Modern Traditional Witchcraft 

“A driving thirst for knowledge is the forerunner of wisdom. Knowledge is a state that all organic life possesses, wisdom is the reward of the spirit, gained in the search for knowledge. Truth is variable – what is true now, will not be true tomorrow, since the temporal truths are dependent upon ethics and social mores – therefore wisdom is possibly eternal Truth, untouched by man’s condition. So we must come to the heart of the People, a belief that is based upon Eternity, and not upon social needs or pressures – the ‘witch’ belief then is concerned with wisdom, our true name, then is the wise people and wisdom is our aim.”

—  Robert Cochrane







Image Credit: Julia Trushina


NASA New Horizons animations





NASA’s New Horizons is the first mission to Pluto and the Kuiper Belt of icy, rocky mini-worlds on the solar system’s outer frontier. This animation follows the New Horizons spacecraft as leaves Earth after its the January 2006 launch, through a gravity-assist flyby of Jupiter in February 2007, to the encounter with Pluto and its moons in summer 2015.

Credit: NASA/JHUAPL

Learn more at http://pluto.jhuapl.edu/index.php

Constellations: First Look





CONSTELLATIONS
American premiere play by Nick Payne
Directed by Michael Longhurst

with Jake Gyllenhaal & Ruth Wilson

Oscar nominee Jake Gyllenhaal (Brokeback Mountain, Nightcrawler) and two-time Olivier Award winner Ruth Wilson (“The Affair,” “Luther”) make their MTC and Broadway debuts in the first American production of CONSTELLATIONS, a new play by Nick Payne (If There Is I Haven’t Found It Yet), which premiered at London’s Royal Court Theatre to tremendous acclaim. Michael Longhurst (If There Is…) directs.

This mind-bending, romantic journey begins with a simple encounter between a man and a woman (Gyllenhaal and Wilson). But what happens next defies the boundaries of the world we think we know – delving into the infinite possibilities of their relationship and raising questions about the difference between choice and destiny.

CONSTELLATIONS is presented by Manhattan Theatre Club and the Royal Court Theatre, by special arrangement with Ambassador Theatre Group and the Dodgers.

Video of the ISS Crossing in Front of the Moon

       
      
       Israel-based astrophotographer Gadi Eidelheit recently managed to capture the International Space Station crossing the moon on camera. In the video above, we see how fast the ISS appears to travel when seen by an observer here on Earth (it spends less than 1 second in front of the moon).




"The International Space Station (ISS) crosses the moon! It required some setup and find the exact location as even one kilometer difference in the location will change the pass position.

Please read my full article with moe explanations and details
http://www.thevenustransit.com/2014/1...

I used two cameras, the first clip is from a Canon 700d with Simga 18-250 at max zoom and the closeup is with Canon SX50 at max zoom (1200mm equiv).

I was not sure that I actually got it or that the ISS really passed the moon, and even when I looked at the small camera screen just after taking the photo I was not sure if it is good. Only at home on a regular screen I was very happy that I manage to take the video.
Hope you will like it."

Music Video Was Made with a Circular Rig of DSLRs and Clever Editing


Mr Bruce interviews director Naren Wilks about his pioneering composite camera technique. 
View the Fear & Delight music video here... http://www.youtube.com/watch?v=ABS-ml...




The debut album 'Puppet Loosely Strung' is out now...
iTunes: http://tinyurl.com/pq798f2
CD: http://tinyurl.com/ncprrvb





Photographer and film director Naren Wilks created this mind-bending music video by arranging DSLRs around a circular green screen room. When the perspectives of the cameras are combined and synchronized, a “rotationally symmetric, kaleidoscopic world” is created. The song is “Fear & Delight” from the album Puppet Loosely Strung by The Correspondents.

Only 5 people were involved in the production of the music video. 


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