Showing posts with label svayambhu. Show all posts
Showing posts with label svayambhu. Show all posts

Hinduism - What Is The Concept Of Time In Hindu Philosophy?

 

Time has no origin or conclusion in ancient Indian cosmology. 

Instead, it alternates between creation and activity, followed by cessation and quietude, in a never-ending cycle pattern. 

As a result, the cosmos has no ultimate beginning or end—creation will always be followed by destruction, and then destroyed by a new creation. 

There are many distinct and sometimes conflicting methods for measuring cosmic time within the limits of this premise. 

The kalpa, or day of Brahma, is the most widely recognized unit of time, lasting 4.32 billion years. 

Although the cosmos undergoes recurrent renewals during this time, this is the final limit for the existence of the created world. 

The global dissolution (pralaya) occurs at the end of Brahma's day, when the world is entirely annihilated and reabsorbed into the deity Vishnu. 

Brahma's day is followed by an equal-length night, during which Vishnu is the sole living creature; the deity sleeps on the back of his snake couch, Shesha, which floats on the cosmic ocean's surface. 

A lotus grows from Vishnu's navel after Brahma's night is through. 

The deity Brahma emerges from the lotus, taking up the task of creation, and the circle of activity starts again. 

One of Brahma's titles is Svayambhu ("selfborn"), which refers to his spontaneous emergence at the beginning of each cosmic era. 

Unlike the Judeo-Christian notion of creation, Brahma does not create the world from nothing, but rather organizes and molds existing components into a unified and orderly universe. 

According to different theories, Brahma's day is divided into smaller parts. 

The four yugas, or cosmic eras, are by far the most popular scheme. 

The day of Brahma, according to this theory, is made up of one thousand mahayugas (“great cosmic ages”), each lasting 4.32 million years. 

The Krta yuga, Treta yuga, Dvapara yuga, and Kali yuga are the four component yugas of each mahayuga. 

Each one is shorter than the one before it, ushering in a more corrupt and perverted age. 

The four yugas are separated by a period of abrupt and spectacular rebirth at the start of the krta yuga, which is followed by a gradual and continuous fall. 

Although the kali yuga is the shortest of the four eras, it is also the period of greatest wickedness and depravity, during which any evil may be perpetrated. 

It is also, predictably, the time period in which we are now living. 

Things have become so terrible at the conclusion of the kali yuga that the only option is to destroy and recreate the planet, at which point the new krta period starts. 

Even though the kali yuga is the shortest, it lasts 432,000 years, and the yugas before it are two, three, and four times as long. 

The metals connected with each of the four yugas represent their progressive degeneracy: gold (krta), silver (dvapara), bronze (treta), and iron (iron) (kali). 

Another indicator is the human condition, which is believed to be becoming shorter, more wicked, and shorter-lived with each passing era. 

The four yugas paradigm provides little space in traditional Hinduism for the concept of development, since things will never be better than they are now, according to this theory. 

Rather than a utopian future, it idealizes a lost and unreachable past. 

The human and divine calendars are linked by an alternative method of calculating cosmic time, with one human year equaling a single day for the gods. 

The divine day is the six months when the sun travels north (uttarayana), and the divine night is the six months when it travels south (dakshinayana). 

A heavenly year will last 360 human years since an Indian solar year is 360 solar days. 

Brahma has a life span of 100 heavenly years, or 36,000 human years, after which the universe is destroyed and recreated. 

The Manvantaras, or Manu's ages, are a third system. 

The day of Brahma is divided into fourteen equal eras, each lasting little less than 309,000 years, according to this theory. 

Each era is distinguished by the divine sovereign (manu) who reigns at the time. 

None of these three systems are compatible, and there is no genuine attempt to reconcile them. 

This discrepancy suggests that their primary purpose was mythological, establishing a cohesive cosmic timeline and pattern rather than describing real occurrences. 

See cosmic time, calendar, and lunar month for many articulations of time in traditional Hindu culture.

~Kiran Atma


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Hinduism - Where Is The Tarakeshvar Tirtha?

 


Thirty miles northwest of Calcutta in the state of West Bengal, this city and holy site (tirtha) is the most visited pilgrimage destination in the state due to its proximity to Calcutta.

The shrine of Baba Tarakanath, who is the deity Shiva in his incarnation as the "Lord of Liberation," is famed in Tarakeshvar.

Shiva is present in Tarakeshvar in the form of a linga, Shiva's symbolic form, a pillar-shaped item.

The Tarakeshvar linga is said to be a "self-manifested" (svayambhu) image that was created by divine self-revelation rather than by human hands.

The site's founding story relates how Shiva's linga is hidden in the dirt and only uncovered when a cow drops her milk on the area above it as a gesture of adoration.

A man suffering from agonizing hemorrhoids receives relief by drinking the water that has been poured on the linga as a gift, and therefore is blessed by Shiva's touch, according to the founding myth.

The charter transmits the picture of a god who is present and receptive to his followers (bhakta) as well as the feeling of a location where humans might go to receive healing from their afflictions via these two tales.

The ritual of dharna, in which pilgrims fast (upavasa) on the temple's outside porch for as long as it takes the god to communicate with them, typically in a dream, is one of the more bizarre manifestations of this.

E. Alan Morinis, Pilgrimage in the Hindu Tradition, 1984, is a good source of knowledge.

~Kiran Atma


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Hinduism - What Is Svayambhu?

 

 

Images that have been "self-manifested".  Any depiction of a Hindu god that is thought to exist as a result of divine self-revelation rather than being created or produced by human hands.

These pictures are said to be particularly holy and powerful, with a stronger sensation of the deity's presence.

They are places where the deities are believed to be particularly present and "awake," and thus more receptive to requests for favors.

They mark instances where these deities have revealed themselves out of grace in order to become accessible to their devotees (bhakta), and they are places where the deities are believed to be particularly present and "awake," and thus more receptive to requests for favors.

For each of the three primary Hindu deities, there are Svayambhu representations.

Images of the Goddess are often natural rock formations, such as the goddess Kamakhya's image, which is a natural fissure in the rock, or stone images of several of the Shiwalik goddesses; but, they may also take other forms, such as the goddess Jwalamukhi's image, which is a natural gas vent.

The shalagram, a black stone holding the spiral-shaped fossil shell of an ancient marine creature thought to be a symbol of Vishnu's discus, is the god's most well-known self-manifested form (chakra).

The linga, the deity Shiva's pillar-shaped emblem, emerges in a vast range of self-manifested shapes.

Many of these self-manifested lingas may be found in natural rock formations, such as those at Kedarnath; Amarnath, where the linga appears as an ice pillar; and the bana linga, which is a naturally rounded stone that is generally small enough to be readily portable.

Furthermore, both Shiva and the Goddess are thought to be present inside one's own body among Hindu religious organizations that emphasize the subtle body.

Carved images are supposed to be self-manifest forms in certain instances for all of these deities; in their customary pattern, the location of the statue is disclosed to a chosen devotee in a dream.

A self-manifested picture is a significant claim for any site, bolstering its value as a heavenly entry point.

~Kiran Atma


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Hinduism - Who Is Considered Svayambhu?

 

Svayambhu (“self-born”) The deity Brahma's epithet. Brahma is a Hindu god.

This moniker emphasizes his function as the world's fashioner—being the person in charge of ordering the universe, he cannot be a formed entity himself.

According to Hindu mythology, Brahma emerges from the calyx of a lotus that grows from the deity Vishnu's navel at the start of each cycle of creation; at the end of the cycle, he returns to the lotus and is reabsorbs into Vishnu's body.

~Kiran Atma


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Hinduism - Who Is Goddess Kalika Devi?

 

Name of both a shrine and its presiding goddess in the Shiwalik Hills (foothills of the Himalayas).

Kalika Devi is one of the Shiwalik deities and is said to be a manifestation of Kali.

The temple is located in the town of Kalka, which is located on the route between Chandigarh and Simla.

The figure of Kalika Devi, like that of many other Shiwalik deities, is a natural stone outcropping.

This is regarded as the Goddess's self-manifested (svayambhu) form.

Unlike many other Shiwalik goddesses, the Hindi literature on this shrine does not state that it is part of the Shakti Pithas, a network of holy locations related mythically as places where a body part of the dismembered goddess Sati fell to earth.

Instead, the literature praises the temple for its grandeur and might.

Local priests identify it as the location where Sati's hair fell to earth, according to the literature.

This demonstrates both the power of pamphlet literature in directing pilgrim traffic and the importance of connecting one's place to the Shakti Pithas' network.

Kalika Devi's head is said to be the protrusion of stone that creates her appearance.

Kali assumed the guise of a lovely lady and came to the temple to perform celebratory songs during the Navaratri festival, according to legend.

Her voice and attractiveness had such an impact on the local king that he asked her to marry him.

Kali was enraged by the king's remark and cursed him to lose his realm.

She also forced the temple image to begin sinking into the dirt as a symbol of her anger.

She permitted the image's head to stay exposed at the request of an enthusiastic follower.

~Kiran Atma


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Hinduism - Who Is Goddess Jwalamukhi?

 


 ("mouth of fire") One of the nine Shiwalik goddesses and the presiding deity of the Jwalamukhi temple in Himachal Pradesh.

Jwalamukhi is one of the Shakti Pithas, a network of locations holy to the goddess that stretches throughout the Indian subcontinent, according to the site's legendary charter.

Each Shakti Pitha commemorates the location where a piece of the dismembered goddess Sati fell to earth and reincarnated as a new goddess; in the case of Jwalamukhi, the bodily part was Sati's tongue.

Because the human tongue is such a strong portion of the body, linked to speaking, eating, and sex, Jwalamukhi is seen as a highly powerful temple.

A little natural gas vent in the cave where the shrine is located has been illuminated for as long as anybody can remember.

This flame is said to represent the Goddess's self-expressed (svayambhu) form, manifested in the shape of her tongue.

See David R. Kinsley's Hindu Goddesses (1986) and Kathleen Erndl's Victory To The Mother (1993) for further information.

 


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