Showing posts with label Arts. Show all posts
Showing posts with label Arts. Show all posts

Hinduism - What Is A Vina?

 




A multi-stringed musical instrument with a long hollow body and a sounding box at the bottom; the top has a huge hollow gourd jutting from the rear, which amplifies the sound even more.




  • The vina is a classical musical instrument used in southern India, where mastery of the instrument is still prized.
  • The goddess Saraswati is most firmly connected with the vina in Indian imagery, in line with her role as patron Goddess of the arts, culture, and learning.






~Kiran Atma


You may also want to read more about Hinduism here.

Be sure to check out my writings on religion here.


World Theatre Day Message 2015



The author of the Message of World Theatre Day 2015 is the Polish director Krzysztof Warlikowski!


The true masters of the theater are most easily found far from the stage. And they generally have no interest in theater as a machine for replicating conventions and reproducing clichés. They search out the pulsing source, the living currents that tend to bypass performance halls and the throngs of people bent on copying some world or another. We copy instead of create worlds that are focused or even reliant on debate with an audience, on emotions that swell below the surface. And actually there is nothing that can reveal hidden passions better than the theater.




  
Most often I turn to prose for guidance.  Day in and day out I find myself thinking about writers who nearly one hundred years ago described prophetically but also restrainedly the decline of the European gods, the twilight that plunged our civilization into a darkness that has yet to be illumined. I am thinking of Franz Kafka, Thomas Mann and Marcel Proust. Today I would also count John Maxwell Coetzee among that group of prophets.

Their common sense of the inevitable end of the world—not of the planet but of the model of human relations—and of social order and upheaval, is poignantly current for us here and now. For us who live after the end of the world. Who live in the face of crimes and conflicts that daily flare in new places faster even than the ubiquitous media can keep up. These fires quickly grow boring and vanish from the press reports, never to return. And we feel helpless, horrified and hemmed in. We are no longer able to build towers, and the walls we stubbornly construct do not protect us from anything—on the contrary, they themselves demand protection and care that consumes a great part of our life energy. We no longer have the strength to try and glimpse what lies beyond the gate, behind the wall. And that’s exactly why theater should exist and where it should seek its strength. To peek inside where looking is forbidden.

 “The legend seeks to explain what cannot be explained. Because it is grounded in truth, it must end in the inexplicable”—this is how Kafka described the transformation of the Prometheus legend.  I feel strongly that the same words should describe the theater. And it is that kind of theater, one which is grounded in truth and which finds its end in the inexplicable that I wish for all its workers, those on the stage and those in the audience, and I wish that with all my heart.

---Krzysztof Warlikowski


Supported by Theatre Communications Group and the U.S. Center of ITI













Desert Dancer – Official Trailer HD



Set in Iran, this powerful and unbelievable true story follows the brave ambition of Afshin Ghaffarian. During the volatile climate of the 2009 presidential election, where many cultural freedoms were threatened, Afshin and some friends (including Elaheh played by Freida Pinto) risk their lives and form an underground dance company. Through banned online videos, they learn from timeless legends who cross all cultural divides, such as Michael Jackson, Gene Kelly and Rudolf Nureyev. Afshin and Elaheh also learn much from each other, most importantly how to embrace their passion for dance and for one another. 



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Vienna: The New Year’s Celebration 2015 via PBS


From Vienna: The New Year's Celebration 2015 with Zubin Mehta














Stage and screen legend Julie Andrews returns for the sixth time to host the festive annual New Year’s celebration with the Vienna Philharmonic, under the direction of Zubin Mehta, from Vienna’s Musikverein.

From Vienna: The New Year’s Celebration 2015, featuring the infectious melodies of the Strauss Family and their contemporaries, airs on Great Performances, Thursday, January 1 at 2:30 p.m. ET on PBS (check local listings) with an encore performance that evening at 8 p.m.

This is the 77-year-old maestro’s fifth appearance on the podium for the New Year’s Concert. Following Willi Boskovsky, Clemens Krauss and Lorin Maazel, Mehta joins the list of these great maestros who have conducted the concert most often. The Vienna State Ballet heads back to school and dances to both the “Students Polka” and the “Wine, Women and Song Waltz” in the palatial main building of Vienna’s 650-year-old University on the city’s grand Ringstrasse.

The venerable concert is the largest worldwide event in classical music reaching millions of people annually through radio and television in over 80 countries. The Vienna Philharmonic’s traditional New Year’s program has showcased Viennese musical culture at the highest level, and since the first television broadcast in 1959, sent the world a New Year’s greeting in the spirit of hope, friendship and peace. (The telecast marks the 31st broadcast of the event on PBS.)

Julie Andrews’ role as host of these New Year’s broadcasts continues to be a cherished tradition for viewers and the beloved singer, actress, and author herself: “I adore the privilege of returning to this magical city each year with its elegance, charm and magnificent gift of music. It is with great delight and joy that I, once again, have the pleasure of participating in this year’s telecast.”

She has been a frequent and luminous presence on Great Performances, starting with “An Evening with Alan Jay Lerner” (1989); “Julie Andrews in Concert” (1990); “Some Enchanted Evening: Celebrating Oscar Hammerstein II” (1995); “Back on Broadway” which spotlighted her return to the Great White Way in “Victor/Victoria” (1995); “Hey, Mr. Producer! The Musical World of Cameron Mackintosh” (1998); “My Favorite Broadway: The Leading Ladies” (1999); its follow-up “My Favorite Broadway: The Love Songs” (2001); and the restoration of the classic 1957 “Rodgers & Hammerstein’s Cinderella” (2004). She also hosted the Emmy Award-winning series Broadway: The American Musical in 2004. Andrews was recently featured in the “Great Performances’ 40th Anniversary Celebration” (2013).


As is customary with these broadcasts, Ms. Andrews will travel from her home base in the Musikverein hall itself to visit multiple picturesque Vienna landmarks. She’ll travel up the Danube to Durnstein in Austria’s beautiful Wachau Valley; take a streetcar tour of the historic buildings and palaces along the Ringstrasse; and visit the baroque Great Hall of the Old University where Beethoven premiered his 7th Symphony.
Mehta, who was born in Bombay in 1936, studied in Vienna from 1954 until 1957 where he learned his trade under the tutelage of the “maker of conductors” Hans Swarowsky. Following his debut in the United States in 1960, he was appointed Music Director of the Los Angeles Philharmonic Orchestra at the age of 26 in 1962, which led him to world fame.

Later, the New York Philharmonic offered Mehta the post of Musical Director, a post he held until 1991 – longer than all his predecessors in the 20th century. From 1998 until 2006, Mehta was General Music Director of the Bavarian State Opera.
The conductor, who has also dedicated himself to promoting young talent in India, is Music Director for Life at the Israel Philharmonic Orchestra, Honorary Member of the Vienna Philharmonic Orchestra and Honorary Member of many other orchestras. In addition to numerous other awards, he received a star on the Hollywood Walk of Fame in 2011.

The Vienna State Ballet is choreographed by Davide Bombana. It provides the ensembles at both the Vienna State Opera and the Vienna Volksoper.


Reblogged by Jai Krishna Ponnappan