Showing posts sorted by relevance for query Buddhist architecture. Sort by date Show all posts
Showing posts sorted by relevance for query Buddhist architecture. Sort by date Show all posts

Hindu Architecture - Hindu Temple Architecture



In India, Hindu temple architecture has evolved into many unique, mature forms throughout time. 



  • Early Buddhist architectural features, such as the rock-cut cave temple (chaitya) or enclosed courtyard, are used in the early stages (vihara). 


  • Ellora and Elephanta are examples of early Hindu rock-cut temples; others, such as Aihole, are free-standing but based on this style. 


  • Nagara, Dravida, and Veshara are the three main forms of later Hindu architecture, with the first two being the most significant. 

  • Each of these styles is exclusive to a region of India: 

    • Nagara in the north and east, 


    • Dravida in the south, 


    • and Veshara in the west and Deccan. 



The fundamental distinctions between them may be boiled down to the various temple tower styles. 

  • The Nagara style places a strong emphasis on verticality, with the temple's whole structure culminating in a single highest point. 


Different focuses in the treatment of the tower resulted in several substyles: 



  • The whole construction gradually leads up to the central tower of Khajuraho temples, while the Orissa style emphasizes a single massive tower surrounded by many smaller subsidiary sections. 
  • The towers of the Dravida style are usually made out of horizontal tiers, with the focus on horizontal rather than vertical. 
  • The gopurams, or central gates in the temple walls, are the highest constructions of the later Dravida temples. 
  • Although a Dravida-style temple may feature a small tower above the primary shrine, the temple's territory is frequently vast, and many of them are cities in their own right. 
  • The Veshara design has a barrel roof above the sanctuary, which has its origins in Buddhist chaityas (rock-cut cave temples). 
  • The Nagara towers and the Dravida tiers are both represented in this architectural style.



~Kiran Atma


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Hinduism - What Is The Artificial Caves Architectural Style In India?

 











This was a popular architectural style in Maharashtra's western region, especially in the early centuries of the common period. 



The chaitya, or rock-cut cave temple, was the oldest form, and it is linked with Buddhist architectural locations. 


A chaitya generally consisted of a huge room carved into the side of a hill, surrounded by artificial caves carved out of solid rock. 

Featuring a Buddha figure at the far end and a glass above the entryway to let additional light in. 

These caverns were dug and carved from the top down, eliminating the need for scaffolding. 

The sides and central pillars were carved to seem like they were made of wood. 



The chaitya shape was adopted in early Hindu architecture, although it was ultimately abandoned in favor of free-standing temples. 


The caves of Ellora, especially the Kailasanatha temple (late 8th century), devoted to the deity Shiva in his guise as the Lord of Mount Kailas, are the most magnificent Hindu rock-cut temples. 

The Kailasanatha temple was cut out of solid rock to appear like it was constructed of masonry. 

Although the temples at Elephanta were completed later, this temple represented the pinnacle of the artificial cave as an architectural form. 

After this time, the focus shifted to free-standing temples. 




~Kiran Atma


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Hinduism - Where Is Kashmir? Do Kashmiris Still Continue To Have A Shared History, Language, Culture, And Identity?


 Along with Jammu and Ladakh, it is one of the three different cultural zones of the contemporary Indian state of Jammu and Kashmir.

Jammu and Kashmir was formerly a princely realm controlled by Hindu Dogra monarchs who also reigned over the mostly Muslim Kashmiris and predominantly Buddhist Ladakhis.

Since India's independence in 1947, ethnic and religious divisions have been a cause of strife, particularly in Kashmir.

Pakistan sought to capture the territory by force after independence and claimed a chunk of Kashmir.

Since then, India and Pakistan have fought multiple battles over it; Pakistan claims it based on their common faith of Islam, while India claims it based on a document signed by Maharaja Hari Singh, the last of the country's monarchs.

Kashmiris have been trapped in the middle of this regional conflict, and their requests for greater self-determination have mostly gone unheeded.

Tensions in Kashmir reached a peak during the widely acknowledged fraudulent state elections of 1986.

Since 1990, the tension has escalated into a full-fledged revolt, aided by secret Pakistani assistance.

During medieval times, the majority of Kashmiris converted to Islam.

Previously, the region was a Hindu cultural hotspot.

The sun temple at Martand, a temple to the deity Shiva at Pandrenthan, and the Shiva shrine at Amarnath cave, which is still a significant pilgrimage destination, are all remarkable examples of early Hindu architecture.

Kashmir is also home to a Hindu minority known as Kashmiri Pandits.

Many of them have moved south to other areas of India as a result of recent problems.

Despite their differing religious views, these two populations share a shared language and sense of Kashmiri identity and culture.

See Christine Nivin et al., India, 8th ed., Lonely Planet, 1998, for general information about Kashmir and other Indian locations.


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Hinduism - How Were Murals Used In Ancient India?

 


 Mural painting is mentioned often in Sanskrit literature.

These were typical kinds of decoration in both temples and the dwellings of the rich in early medieval periods.

The heat and humidity of the Indian environment have taken their toll on such art, and just a few examples exist today.

The most renowned paintings are found at Buddhist monuments such as Ajanta and Sigiriya in central India and Sri Lanka, respectively.

Themes from daily life are depicted in these paintings.

In the caverns of Ellora, there are also remains of art.

Paintings from the Chola dynasty were recently discovered and are being repaired at Tanjore's Rajrajeshvar temple.

Chola dynasty is another name for the Chola dynasty.


~Kiran Atma


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Hinduism - Where Is Elephanta In India?


 

The island is located outside of Mumbai or Bombay's port and is well known for its Shiva temple of the same name. 

The building of the temple is contested, however it is typically dated to the seventh or eighth century C.E. 

Elephanta is a rock-cut cave temple where the sandstone hillside was scooped away to create the temple and the goddesses' pictures. 

This follows the basic style of the Ellora rock-cut temples in Maharashtra, and it required meticulous planning since carving faults could not be repaired. 

The Elephanta temple has representations of Shiva in a variety of forms, including Lord of the Dance (Nataraja), Lord of Asceticism (Yogishvara), Bearer of the Ganges (Ganghadhara), pillar-shaped form known as the linga, and a mix of male and female known as Ardhanarishvara. 

The three-headed, eighteen-foot-tall figure of Shiva as Maheshvar, the "great Lord," is the most renowned and important image. 

The left face represents his horrible and destructive side as Bhairava, the right face represents his benign, creative side as Uma, and the center face represents him as Tatpurusha—blissful, everlasting, and transcending the transient concerns of the world. 

Although the major picture has escaped harm, several of the others have been damaged by Portuguese imperialists who saw the images as idolatrous and used them as target practice. 

Pramod Chandra, Elephanta Caves, Gharapuri, 1970, has further details. 

Ellora is a historical site located around twenty miles north of Aurangabad in contemporary Maharashtra. 

It is known throughout the globe for a set of thirty-three rock-cut temples carved between the fourth and eleventh centuries C.E. 

The caves with Buddhist pictures are the oldest; the caverns with Jain images are four, and the caves with Hindu images are seventeen. 

The caverns were excavated into the volcanic stone outcrop of the hillside in each instance, with the stone meticulously chipped away to produce completed pictures. 

Images of remarkable artistic quality may be found in many Hindu caves. 

The most renowned is the eighth-century Kailasanatha Temple, which was erected by removing the whole hillside and leaving the temple behind, as if it had been built from the ground up. 

~Kiran Atma


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Hinduism - Where Is Badrinath?

 




(“Lord of Badri”) Badrinath is a Sacred place (tirtha) in the Himalayan region of Uttar Pradesh's Chamoli district, near the sources of the Alakananda River, the Ganges' biggest tributary. 


Badrinath is located at a height of nearly 10,000 feet in the Himalayas. 


  • The Mana Pass, one of the ancient land routes via which Chinese products have entered India, connects it to Tibet. 
  • Due to its great altitude, Badrinath is only accessible from late April to October, after which it closes for the winter months; this pattern is repeated at the three main Himalayan pilgrimage sites of Yamunotri, Gangotri, and Kedarnath. 



The name of the town originates from Vishnu, the reigning god whose temple is the cause for the town's existence. 


  • The temple's main image is said to have magically appeared full-formed from a shalagram, a kind of black stone containing fossilized ammonite and regarded a "self-manifested" form of Vishnu. 
  • Badrinath is a revered holy place with a lengthy history. 
  • Based on the architecture of some of the temple's oldest sections, scholars think it was inhabited by a Buddhist temple until several decades into the current century. 



According to local legend, Buddhists from Tibet would come to the temple's closing rituals in the autumn until the Chinese shut the Tibetan border in the mid-twentieth century, carrying a hand-woven blanket to wrap over the picture. 


  • Badrinath is one of the four dhams (divine abodes) associated with the philosopher Shankaracharya in Hinduism. 
  • To fight the spread of Buddhism and revive Hindu religion, Shankaracharya is said to have chosen one Hindu holy place in each corner of the subcontinent. 
  • He created a Dashanami Sanyasi monastic center (math) at each center to educate knowledgeable monks. 
  • Badrinath is linked to the holy Jyotir Math, located forty miles south in the Himalayan town of Joshimath. 



Each winter, the Badrinath picture is symbolically transferred to Joshimath's Narasimha shrine. 



The Dandi Sanyasis were a group of ascetics devoted to the god Shiva who were also Nambudiri brahmins, the same caste into which Shankaracharya is said to have been born, according to Badrinath temple records. 

  • They were a group of ascetics devoted to the god Shiva who were also Nambudiri brahmins, the same caste into which Shankaracharya is supposed to have been born. 
  • When the last of these ascetics died without a successor in 1776, the shrine's guardian, a non-ascetic Nambudiri brahmin, was asked to serve as the temple's priest. 
  • This priest was granted the title rawal (“deputy”) in honor of his austere forefathers, and his extended family has administered the shrine ever since. 
  • Because the rawal is the only person permitted to touch the image, he must remain a bachelor, lest the ritual impurity (ashaucha) resulting from the birth of a child (sutakashaucha) make him incapable of performing his responsibilities. 

The rawals used to have exclusive authority over the offerings made at the shrine, but since 1939, the temple has been run by a committee, and the rawal's role has been limited to ceremonial tasks.



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Hinduism - What Is A Mandala?

 "Mandala" means "circle" in Sanskrit.

A word having diverse meanings in different situations, as with many Sanskrit phrases.

It may refer to an area in the context of geography, such as the Braj region, which is known as the Braj Mandala.

Mandala refers to both the group of followers and the form of the dance itself in the ras lila, the circular dance between the deity Krishna and his devotees (bhakta).

By extension, a mandala may refer to any collection of people, however it is usually associated with individuals who have gathered for a serious religious purpose.

Mandala refers to a symbolic graphic used as an aid to meditation, a ritual accessory, or a symbolic road map of the spiritual search in the hidden ritually based religious practice known as tantra.

The word mandala is primarily associated with Buddhist tantra in this particular literature, although Hindu tantrikas use the terms yantra and chakra more often.

~Kiran Atma


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Hinduism - What Is A Vihara?

 


A central courtyard was encircled by a number of tiny apartments in an early architectural type known as a vihara.

Individual cells in the little rooms and a shared area in the vast middle space—this was originally a Buddhist architectural design meant to provide a living place for the monks.

The pattern was included into the oldest Hindu temples, such as those in Aihole.



~Kiran Atma


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Hinduism - What Is The Kashi Vishwanath Corridor At Varanasi Or Benares In India?


Prime Minister Narendra Modi revealed the 400-meter-long Kashi Vishwanath Corridor in Varanasi on Monday, the 13th of December 2021, which connects an ancient Shiva shrine to the Ganges' banks. 

"It was the Prime Minister's vision for a long time, to facilitate the pilgrims and devotees of Baba Vishwanath, who had to encounter congested streets and surroundings with poor upkeep, when they practiced the age-old custom of taking a dip in the holy river, collecting Gangajal, and offering it at the temple," the Prime Minister's Office said in a statement on Sunday. 

Mr. Modi laid the foundation stone for the project on March 8, 2019, and it is nearing completion ahead of the Uttar Pradesh Assembly election in early 2022. 

According to the project's architect, Bimal Patel, although the first part of the project will open on Monday, the Ganges Gateway, the stairs leading down, and the ghat will take another two months to finish. 

On Sunday evening, the sacred site, which is in Mr. Modi's Lok Sabha seat, was bustling with activity, not just with preparations for Monday's celebration but also with ongoing building projects. 



Buildings along the winding lanes leading up to the shrine were freshly painted. 

According to Varanasi Divisional Commissioner Deepak Agrawal, the temple grounds had been decked to welcome the 3,000 visitors who had been invited to the inauguration. 


The celebration was attended by roughly 500 religious leaders and families whose homes — around 300 in all — were razed to make place for the corridor, he added. 

The Prime Minister "took a great and active interest at all levels of the initiative," according to the PMO. 

It was announced that twenty-three buildings will be opened, with ramps and escalators built to make the grounds more accessible. 

The first phase construction cost 339 crore, while the entire project cost was about 800 crore. 



According to the PMO, the temple's grounds have been increased from 3,000 square feet to 5 lakh square feet. 

The corridor, which is claimed to be the Prime Minister's dream project, spans 5,000 hectares and aims to not only decongest but also alter the temple complex. 


Varanasi's improved infrastructure is intended to enhance tourism in the holy city as well as the surrounding area, notably the Buddhist pilgrimage site of Sarnath. 

The Kashi Vishwanath Dham in Varanasi is lit up ahead of Prime Minister Narendra Modi's inauguration. 


The Kashi Vishwanath Corridor, now connects Varanasi's historic Kashi Vishwanath Temple to the Ganga's ghats.




The Rs. 800-crore initiative was inaugurated in March 2019 by the Prime Minister in his parliamentary seat with the goal of restoring the spiritual center's "lost splendor." Officials said Modi has long wanted to improve circumstances for visitors and worshippers who had to suffer the temple's notoriously packed streets and surrounds. 

The Kashi Vishwanath temple lacked direct access to the Ganga, therefore a 20-foot-wide corridor between Lalita Ghat on the holy river and Mandir Chowk on the temple grounds was planned. 

"Shiva bhakts may take a morning bath in the river and worship the Lord in the temple, which will now be visible from the ghat," a Ministry of Culture official said. 

A Tourist Facilitation Centre, Mumukshu Bhavan, Bhogshala, City Museum, Viewing Gallery, and Food Court will be among the 23 structures to be opened. 

Some of these phase 1 projects may not be ready to open to the public for a few more weeks. 

The Prime Minister's event will take place ahead of the forthcoming Uttar Pradesh Assembly elections and the release of the voting schedule. 




The Rudraksh Convention Centre, which is shaped like a Shiva lingam and features divisible conference rooms, an art gallery, and multifunctional pre-function spaces, can accommodate 1,200 people. 

Tourists will be able to take Ganga cruises, road infrastructure will be improved, and the Banaras train station in the city's Manduadih neighborhood will be remodeled with the addition of an air-conditioned waiting lounge. 

LED displays will be placed across the city to provide travelers with information about Kashi's history, architecture, and art. 

On screens around the city, the iconic Ganga Aarti and the aarti at the Kashi Vishwanath temple will be shown. 


The Deen Dayal Hastkala Sankul, which opened in 2017 as a trade facilitation center for Varanasi's weavers, craftspeople, and artisans, serves as both a public space and a marketing platform for local artisans. 

Officials claim the PM insisted on preserving existing historic buildings while eliminating homes that were obstructing the designated path. 

More than 40 'lost' temples were uncovered during the destruction of the structures, including the Gangeshwar Mahadev temple, the Manokameshwar Mahadev temple, the Jauvinayak temple, and the Shri Kumbha Mahadev temple. 

Each of these temples has a long and illustrious history. 



At the National Museum in New Delhi, a gallery has been dedicated to displaying some of the unearthed bones, as well as running a narrative on their history on screens. 

Smart signage has been installed in Varanasi to give information on the cultural value of historic monuments and the city's 84 ghats, which are noted for their antiquity and architectural significance. 

The effort to renovate and rebuild the Kashi Vishwanath complex is in keeping with Prime Minister Narendra Modi's ambitious plans for temples around the nation. 

He lay the foundation stone for the Ram temple in Ayodhya and advocated for renovation and rebuilding initiatives at the Somnath complex and the Kedarnath Dham, both of which were devastated by floods in 2013. 

He's called these initiatives "nation-building endeavors," the successful culmination of an old land's attempts to rediscover and commemorate its past greatness.



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Defining Hinduism by its History

'Hinduism' is an English term coined by Raja Rammohan Roy, an Indian social reformer, in 1816 and 1817. Rammohan Roy, a Hindu by birth and an outspoken critic of Hinduism as it was taught at the time, coined the phrase to characterize the religion of his forefathers, who believed in the unity of God, as'real Hinduism.' The word 'Hindu' is derived from the ancient Persian expression 'Sindhu', the name of the Indus river, which was initially used to describe a person who lived in the lands east of the Indus. While Al-Biruni in the eleventh century AD provided a precise and accurate description of those beliefs and practices, it is unclear how and when 'Hindu' with its ethno-geographical connotation came to mean a society with recognizable socio-religious beliefs and practices. The archaeology of Hindu worship and religion can be found in South Asia in the second millennium BC and Southeast Asia in the early-mid first millennium AD. Hinduism is still a living religion in India, Nepal, and Southeast Asia, where it lost its dominance in the thirteenth to fifteenth centuries, with just around 5% in Singapore, 2% in Indonesia, though more than 90% of the Balinese, and a very small group of Chams in south-central Asia.

 

What distinguishes Hinduism as a faith in terms of worship and ritual? The explanation of Hindu ritual conduct in India:

Within each or more of these classes, the average middle-class Hindu may be brought by one or more aspects of his daily religious practice, namely:

1. The veneration of ordinary stocks and stones, as well as local arrangements that are odd or grotesque in scale, form, or place.

2. The veneration of inanimate objects endowed with enigmatic motion.

3. Creatures who are hated are worshipped.

4. The veneration of visible, animate, or inanimate objects that are explicitly or indirectly useful and beneficial, or that have some nonsensical purpose or property.

5. Worship of a Deo, or ghost, a formless and empty object - a hazy impersonation of the strange feeling that comes over in some locations.

6. Worship of departed ancestors and other people that were familiar to the worshipper throughout their lifetime.

7. At shrines, people who had a good reputation in life or who died in a strange or famous manner are worshipped.

8. The worship of demigods or minor deities as demigods or subordinate deities in temples.

9. Worship of various territorial incarnations of the elder gods, as well as their representations.

10. The worship of departmental or sub-deities.

11. Hinduism's supreme gods, as well as their ancient incarnations and personifications, as documented in the Brahmanic scriptures.

And, in terms of the types of worship described in the just-completed catalogue, they are all heavily tinged by a heavy skylight reflection of overarching Brahmanism, from which the upper classes now claim to derive their meanings instantly.

 

Hinduism is defined largely in terms of what Hindus 'do' rather than what they 'say,' according to this definition. Hinduism, unlike Buddhism, Christianity, and Islam, does not have a historical creator or a codified canon that all adherents embrace. Hindu holy books are an incomplete guide to what the faith is about because they emphasize only certain elements based on the context from which they were written. Archaeology, with its focus on experience rather than contemplation, is a good place to start when looking into Hinduism's history.

Archaeological evidence has long been used to study Hinduism: temple architecture, statues, pictures and their iconography, and the spatial distribution of inscriptions are among the most studied categories. The body of Indian archaeological evidence from specific time periods needs to be analyzed on a regular basis. The essay explores holy sites in several spatial and temporal perspectives, from early historic Rajasthan to mediaeval Vijayanagara to Bali, to add to archaeology's contributions to the study of Hinduism. Another critical part of Lyall's interpretation is his focus on the overlapping existence of many modes of rituals and worship in most practicing Hindus' life cycles. The appearance of some of these elements in the Indian archaeological record indicates that they date from the late centuries BC; however, several of these elements seem to have a much longer ancestry. The apsidal finished shrines are part of a religious architectural pattern that dates to the third and second centuries BC. At third-millennium BC Nindowari in Baluchistan, the tradition of placing votive figurines at shrines is as old as the ceremonial obsession with cultic bathing - which would find continuity in later Hinduism's sanctity associated with water - and the worship of trees, with Harappan sites yielding evidence of both. But does the existence of certain elements imply that Hinduism can be traced back to India's protohistoric cultures? The substantive disparity in proof character cautions against drawing such a simple conclusion. For eg, at the Daimabad site in the second millennium BC, an agate phallus - later a symbol of the god Shiva, a member of the Brahmanical triad particularly synonymous with devastation - was discovered in an ash-filled pit, but it is only one specimen from a culture that spanned a wide area in Maharashtra. In comparison, there are many types of evidence of Shiva worship from the late centuries BC, including lingas or phallus, depictions of devotees worshipping a Shiva-linga, and emblems consistent with Shiva worship on coins. 

By this time, a few deities had developed a transregional influence, and a worshipper of one deity in one place would have been completely at ease worshipping the same deity in another. Many regions of early historic India, for example, had deities synonymous with fertility, water, and safety, as well as shrines for their worship. The Brahmanical system, with its numerous socio-religious sanctions and legislation, was still in effect by this period, and was a defining characteristic of Hinduism. For the first time, a cohesive body of evidence dating from the late centuries BC in South Asia and the early-mid first millennium AD in Southeast Asia has been assembled, allowing the 'archaeology of Hinduism' to be mapped out. As a result, this essay does not subscribe to the view that Hinduism was a nineteenth-century colonial invention, as premodern sources reveal the existence of Hinduism as a religious system of beliefs and practices, and the Dharmasastra texts, some of which date back to the second century BC, are a clear indicator of a self-aware social and religious identity.

Furthermore, the archaeological prominence of Hindu values and practices in India in the late centuries BC, which coincided with the advent of a materially configured Buddhism, may have been partially a reaction to and a result of a broader engagement with contemporary religious groups that contested the Brahmanical tradition's dominance. The Mauryan dynasty's consolidation of urban development and development of a pan-Indian empire were key factors in the convergence of early India's religions. In a situation where various religious traditions were both in conversation and rivalry with each other, worshippers of Shiva, Vishnu, and other Hindu gods and goddesses seem to have created and consolidated their own material language of theistic worship. Architectural, sculptural, inscriptional, and other material evidence for Hindu beliefs and practices exist many centuries later in Southeast Asia - especially from the Malay Peninsula, parts of Cambodia, Laos, Vietnam, and Thailand, and some of the Indonesian archipelago's islands - but not simultaneously or identically manifested in all of these regions. Two early sources of evidence currently come from Vietnam and two Indonesian islands: from the former comes the Vo Canh inscription written in Sanskrit on three sides of a stupa, and which is dated palaeographically to the third century AD: 'The surviving passages appear to describe a donation of wealth made by "the joy of the family of the daughter of the grandson of the king Sri Mara" to give equality to his sons, brothers and male descendants .... Theological words used in the text are most likely Hindu in origin, but they come from a pre-Puranic tradition.' Slightly later are the east Kalimanatan stone pillars or stupa, inscribed with Sanskrit verses and dated palaeographically to c. the fourth-fifth century AD, which commemorate gifts given to brahmins for their performance of rituals characteristic of archaic Hindu practices in India on behalf of king Mulavarman.

Several fifth-century Sanskrit inscriptions from a polity named Taruma or Tarumanagara, which refer to Hindu deities, as well as fifth-sixth-century Vishnu sculptures, lingas, and other Hindu-related materials from Cibuaya, have yielded roughly contemporary evidence. Evidence of the local acceptance or transformation of other Indian ideas and components, such as Buddhism, which coexisted and or or fluctuated in dominance within any given region during the premodern period, models of kingship and social order, Sanskrit, the calendrical structure, literary practices, and so on, occurs around the early-mid-first millennium AD. The fact that Hinduism has been shaped and reshaped by numerous influences over its history in South and Southeast Asia warrants further investigation.

 

Identifying prayer and ceremonial spaces


 

Hindu worship and practice are made up of intertwined components that can be used in both public and private spaces. Though a detailed examination of this rich and diverse geography is beyond the reach of this article, the following section provides a general typology of the contexts in which Hindu worship took place.

 

Temples are a form of religious structure.


The temple, which was found both within and outside villages, was the most visible place of Hindu worship. The first temples in South Asia appear in the late centuries BC, and although no complete specimen has survived, the ground plans indicate a variety of forms, ranging from elliptical to apsidal. Many depictions of temples in Indian art from the late centuries BC are made of perishable materials. Temples of this kind were popular in village India until recently, implying that, although excavated stone examples date from the late centuries BC, temples made of clay, bamboo, or wood may predate them. The earliest temples in Southeast Asia date from the mid-first millennium AD, and are known from the remains of their foundations, as in India. For example, remains of fourth-sixth-century AD brick temples and a fifth-seventh-century AD stone and brick temple foundation and linga uncovered at Nen Chua, and remains of a sixth century Vaishnodevi temple uncovered in the Malay Peninsula. Shrines were often made of perishable materials, but whether they predate the oldest temples in Southeast Asia made of robust materials needs further research. The remaining shrines from the fourth to sixth centuries AD, coinciding with the Gupta dynasty, are comparatively complete, with most of them having been discovered in central and north India.

Temple plans were more elaborate in the intervening years, with podiums, superstructures, colonnaded rooms, vestibules, and open courts. They are often adorned with reliefs portraying saints, mythological scenes, and regal processions. However, though elaborate buildings became more prevalent in later times, such as at mediaeval Vijayanagara; similarly, architecturally simplistic shrines did not vanish in Southeast Asia, such as at Angkor. As temples generally enshrined a presiding deity, which, particularly from early shrines, often no longer survives in situ, an immense wealth of Hindu icons of worship are encountered in South and Southeast Asia - rendered in a variety of mediums such as wood, stone, various metals, and terracotta - as temples generally enshrined a presiding deity which, especially from early shrines, often no longer survives in situ. Where they do exist, they can be interpreted in a variety of ways.

Shiva was worshipped in his aniconic form, the phallic symbol, and sometimes in his human form, or a mixture of both. Vishnu, or the preserver deity of the Brahmanical triad, was generally worshipped by images. Brahma, the triad's creator deity, was often depicted in human form, but his popularity as a cult god was limited. In India, goddesses such as Gajalakshmi and Mahishasuramardini were widely worshipped, and some of the oldest temples featured goddesses like Gajalakshmi and Mahishasuramardini on plaques. There were also classic depictions of animal-human hybrids, such as Ganesha, the elephant-headed deity. Humans were often often depicted as animals, such as Vishnu as Matsya, a shark, Kurma, a tortoise, Varaha, a boar, and Kalki, a horse. Outside of temples, images were revered in open air shrines and when carried in processions, such as many of the famed South Indian bronzes carried in processions.

Texts identify a wide range of temple rituals, and archaeological representations of those activities can be looked for when excavating temple sites. Some of them started well before the foundation was built. For example, after a location was selected, it had to be consecrated by foundation ceremonies; ceremonial deposits were often deposited in temple foundations. Furthermore, some temple rituals have left material remains, such as large terracotta bowls excavated from the temple areas at Bhitari in north India between AD 450 and 550, which were likely used to give food to the deity or for the ceremonial feeding of large numbers of worshippers or pilgrims. Sprinklers or from the Bhitari temple fields, which priests likely used to sprinkle water when doing worship; animals sacrificed for the deity or e.g. domestic sheep and humped cattle bones were discovered in the inner sanctum of the Parasuramesvara temple in Gudimallam, Andhra Pradesh. Votive offerings in the shape of terracotta figurines of various gods and goddesses, as well as lamps, ablution basins, and votive offerings in the form of terracotta figurines of various gods and goddesses.

Generally, the votive figurines given were associated with the shrine's presiding deity, though this was not always the case. In addition to a Vishnu portrait and sculpted panels portraying him, the excavated votive artefacts at the ninth-century AD Avantisvami temple in Kashmir dedicated to Vishnu contained terracotta miniature lingas, which were usually rendered to Shiva. The appearance of such offerings can be explained by the surrounding presence of a Shiva temple or Avantisvara: devotees may have reached the Avantisvami temple after worshipping Shiva there, bearing the same kind of paraphernalia that was used for Shiva worship. They made miniature linga offerings to Vishnu as well, disregarding those who believed Vishnu and Shiva worship were mutually exclusive. Mendicants and preceptors have traditionally held a special role in Hinduism, which is also evident in the temples with which they were associated during their lifetimes. 

The temple of Srirangam in Tamil Nadu, dedicated to Vishnu, is a well-known example of this; the twelfth-century Hindu reformer and philosopher Ramanuja lived here for a large part of his life and, evidently, was also buried here, his shrine being built at that exact place. Although the origins of this tradition are unknown, evidence of teacher shrines can be found as early as the Gupta period, for example, a c. fourth-century AD stone pilaster from Mathura bears an inscription suggesting that it was used in a shrine dedicated to recalling a line of Maheshvara teachers. Preceptors may also influence the design of temples constructed by their devotees.


 

Tanks, sacrifice places, and folk shrines


Though temples remain the most spectacular of Hinduism's holy sites, public ceremonies were not exclusive to them. Other arenas include sacrificial sites, areas where ceremonial donations are publicly performed, prayer near rivers, and village shrines. The options for identifying such locations, as well as the nature of archaeological evidence that may shed light on the related rituals, are discussed further below. Many of India's popular Hindu pilgrimage sites are situated at the source or along the banks of rivers, where ancestor oblations, river worship with fire, and bathing in them on special days are all practiced on a regular basis. Such performances rarely leave permanent archaeological marks or Hooja, according to this article, while Sringaverapura, on the left bank of the Ganga river, is one site that has yielded such evidence in connection with a water source. 

The river was some distance from the village in ancient times, so a huge tank complex was built to provide good potable water for the inhabitants. The system drained water from the river into a silting chamber and a series of tanks through a canal. In the first century AD, one of them, Tank C, became associated with certain religious rites, and among the remains are terracotta figurines of deities such as Kubera, Shiva, Parvati, and Hariti or Shashthi, as well as animals and votive tanks. The essence of the ceremonies that necessitated such objects remains unclear, but the tank complex seems to have served a dual purpose: its waters offered both physical and moral nourishment. Outside of temples, archaeological remnants of public ceremonies can be found in specially prepared grounds or spaces for the execution of sacrifices. There are brick platforms in the shape of a syena, hawk, or eagle with spread wings at Jagatgram, in the north Indian state of Uttaranchal, that closely resemble descriptions in Vedic literature.

The epigraphs on some bricks show that these consecrate rites were associated with the asvamedha or horse sacrifice. Oblations of various kinds were commonly offered at such sacrifices, but no such evidence has been found at Jagatgram. However, the Kushana period from AD 100-300 altars at Sanghol in Punjab have yielded large quantities of organic material from ritual fire altars, and a palaeobotanical investigation of these Kushana period from AD 100-300 altars confirmed that the material was of the kind that was usually used in sacrifices, e.g. of various food grains, such as rice, barley, black gramme, lentil, and sesame; edible fruits These findings bring to life, possibly for the first time, the detailed depictions of intricate sacrificial sacrifices and oblations used in Hindu religious texts. The question of social access to worship and the rights of various communities to conduct rites at Indian religious sites is typically overlooked in archaeological studies. While it is difficult to find archaeological evidence of the Brahmanical system in Southeast Asia, in which different social classes were given entry based on their caste hierarchy position, or which only occurred in theory, it is difficult to believe that such sites were not distinguished by caste exclusions.

Given that the Arthasastra, a text from the late third millennium BC, prescribed where the cremation grounds of the various varnas, or four social divisions, should be located, it seems possible that not everybody was granted entry to arenas like temples, to worship and conduct rituals there. In terms of whether there were any arenas outside of temple Hinduism where all these communities could come together to pray, ethnographic records indicate that there were. The 'Devi,' or goddess, who is commonly revered in such places, is represented by a variety of village shrines, ranging from artificial platforms on which a rough stone is worshipped as her embodiment to natural objects such as trees, caves, and hills. 

Since Brahman priests are not expected to mediate at these shrines, devotees from all social classes attend. Similarly, ethnographic accounts of village shrines are likely to be signifiers of a premodern existence, as folk gods revered at such shrines can be found in the early historical record. In the Hindu tradition, public places of worship and ceremony were of different forms, some of which were distinguished by caste sanctions that revealed limits. Convergences and backgrounds with shared social values and tolerances may also exist; village shrines were one such intersection point.

 

Worship in the home


Hindu rites and worship took place in a variety of domestic settings. Unfortunately, little is known archaeologically about domestic-level Hindu activities in Southeast Asia; much of what is currently known is focused largely on what can be gleaned from excavation reports of historic settlements in India, especially data on their structural remains. One point to remember is that, much as today, citizens of diverse religious faiths lived together, resulting in the spatial coexistence of various forms of domestic worship. Excavations at Kapilavastu, for example, have uncovered habitational evidence dating from about 800 BC to the third century AD, as well as terracotta Buddha figures attesting to Buddhist icon worship in the early centuries AD. 

However, as shown by terracotta heads or, for example, one depicting Shiva with a snake-hood on top and a long yajyopavita or holy thread on his back, there were Shiva devotees. Jains may have also worshipped there, as evidenced by the presence of a naked Jina figure or ibid. on the terracottas. In India, terracotta figurines, votive terracotta reservoirs, and female and male figurines were commonly used in domestic worship. Female terracotta figurines have been discovered in ancient rural settlements, such as Narhan, where they were particularly prevalent between c. 200 BC and AD 600. Some of the plaques at Narhan are of the same genre as those found in the north Indian cities of Tamluk, Kausambi, Ahicchhatra, and Rajghat, implying that those who believed in the influence of this 'goddess' comprised a wide cross-section of urban and rural communities. It's also worth noting that female figurines and terracotta votive tanks are commonplace items with nothing particularly 'Hindu,' 'Buddhist,' or 'Jain' about them when seen in isolation. As a result, interpretations of them as Hindu ritual markers must be dependent on their archaeological background.