Showing posts sorted by relevance for query Dharmasastra. Sort by date Show all posts
Showing posts sorted by relevance for query Dharmasastra. Sort by date Show all posts

Hinduism - What Is Upanayana?

 

Upanayana (“bringing-near”) Samskara.

The eleventh of the life cycle rituals (samskaras), in which a young man got a religious initiation that served as a symbolic "second birth," bestowing new powers and duties on him.

This ceremony symbolizes the end of childhood and the beginning of a new social identity, as with many other rites of passage.

After this process, the novice becomes a brahmacharin, the first of the "twice-born" man's life phases (ashramas).

This initiation confers the right and responsibility to study the Vedas, the oldest and most authoritative Hindu holy writings, and the young man would have done so while living in his guru's home, according to the traditional practice.

With this privilege came obligations, notably the need to follow purity regulations, which were not imposed on younger children.

If nothing else, this process is a need for marriage since without it, the young man is still regarded a kid, and it is still conducted before the wedding in certain modern circumstances.

This ceremony was only performed by young males from the three highest traditional social classes (varnas), namely brahmins, kshatriyas, and vaishyas, according to dharma literature.

Indeed, it is the right to this ceremony that distinguishes these three groups as "twice-born." Each group was assigned a different age for beginning and a different length of study, with brahmins being the first to begin and the last to finish.

The holy thread (janeu), which he must wear from that day forward, and teaching him the sacred formula known as the Gayatri mantra are at the center of the upanayana samskara.

This rite is still important and widely practiced, though brahmins are the ones who emphasize it the most.

This is unsurprising, considering their long-standing role as educators and academics, and their desire to maintain that position, even in current times.

See Pandurang Vaman Kane (trans. ), A History of Dharmasastra, 1968, and Raj Bali Pandey, Hindu Samskaras, 1969, for further information.

Despite their antiquity, they remain the greatest sources on traditional Hindu customs.

The former is encyclopedic, while the latter is more approachable.

~Kiran Atma


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Hinduism - What Is The Bhandarkar Oriental Research Institution?




Bhandarkar Oriental Research Institution (BORI) is a research institute named for the renowned scholar R. G. Bhandarkar (1837–1925), which was established in 1917. 


The Institute is dedicated to the study and preservation of traditional Indian culture, and it is well-known within academic circles worldwide. 




  • P. V. Kane's History of Dharmasastra and a multivolume critical edition of the Mahabharata, the latter of the two major Hindu epics, have been its two most significant works. 
  • Aside from its publications, the Institute is known for its extensive collection of Sanskrit manuscripts, making it one of India's best research institutions.


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Hinduism - What Is The Hindu Ritual Of Cremation?

 


Cremation. 


 Cremation is the preferred form of disposition for most Hindus, but burials may occur in specific situations and subcommunities. 

The corpse is typically burned on the day of death, usually within a few hours after death. 

Although this might be seen as a sanitary precaution in a hot environment, the religious motivations for many Hindus are much more strong. 

To begin with, a corpse is seen to be a source of violent impurity (ashaucha), which is eliminated by burning the body. 

The removal of a possible vehicle for wandering spirits, who, according to popular belief, may reanimate a body, is a second rationale for rapid cremation. 

Immediately after death, the rituals leading to cremation commence. 

There is considerable variety in these ceremonies, as there is in many Hindu rituals, across various areas and groups, but the following description provides a broad image of them, at least in northern India: The corpse is washed, placed on a bier (typically constructed of bamboo, which is inexpensive, robust, and easily accessible), and clothed (white for a man or a widow, a colored sari for a married woman). 

Many people bind their big toes together with a thread in the hopes of preventing an alien spirit from reanimating the body. 

The mourners sing the customary lament Ram Nam Satya Hai, Satya Boli Gati Hai (“God's name is Truth, Truth uttered is Passage”) as they bring the bier to the cremation site. 

The mourners would often stop along the route, not just to relax but also in case the dead was simply asleep. 

The body is washed again and placed on a pyre when they get to the cremation site (which is typically near a river or other source of water). 

The main mourner (traditionally the oldest son) rounds the fire, pouring water from a broken clay pot. 

Because poetic imagery often relate the transitory nature of human bodies to that of clay pots, this activity plainly denotes the body's ultimate annihilation. 

After that, the principal mourner lights the fire and stays there until the corpse burns. 

If the heat of the fire does not shatter the skull, he is handed a long bamboo staff to puncture it. 

This is said to unleash the deceased's vital winds (prana), which have accumulated in the brain. 

The principal mourner's last task is to take the bones and ash from the pyre (asthi-sanchayana), usually the next day, and immerse them in the Ganges or another holy river (asthi-visarjana). 

Despite the introduction of more efficient and less expensive electric crematoria, the hardwood pyre remains the conventional method of cremation. 

In contemporary India, this has resulted in a unique ecological issue, especially in the major cities. 

Many impoverished people cannot afford to purchase enough wood to burn the corpse on a pyre, yet many refuse to utilize electric crematoria because of tradition. 

They will conduct incomplete cremations, which will leave a portion of the corpse unburned. 

This is a terrible situation, both religiously and in terms of public health, since the corpses constitute a source of religious impurity and contribute to river pollution. 

See Pandurang Vaman Kane (trans. ), A History of Dharmasastra, 1968, and Raj Bali Pandey, Hindu Samskaras, 1969, for further details. 

See Lawrence Babb's The Divine Hierarchy, 1975, and Ann Grodzins Gold's Fruitful Journeys, 1988, for descriptions of contemporary practice.







Hinduism - Who Is Chayagrahi?

 



("shadow snatcher") In the Ramayana, the first of the two major Hindu epics, a monster. 



Chayagrahi lives by the sea and captures birds flying above by grabbing their shadows in the water and dragging them down to her waiting jaws. 


This technique provides her with a constant supply of food, but she makes the fatal error of attempting to catch the monkey-god, Hanuman, in this manner. 

Other than brahmins, Hanuman performs the rituals required by the Dharma Shastras. 




See Pandurang Vaman Kane (trans. ), A History of Dharmasastra, 1968, and Raj Bali Pandey, Hindu Samskaras, 1969, for further details.  Despite their antiquity, the former is more encyclopedic and the latter is more approachable; they remain the finest sources on ancient Hindu rituals. 

 




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Hinduism - What Is The Dharmashastra?



A broad word for the study of dharma (religious duty), whether it refers to the actual scriptures (Dharma Shastras), treatises on religious obligation, or the enormous commentary-like literature on these texts in general. 

Despite the fact that the Dharma Shastras are thought to have been composed between the second century B.C.E. 

and the early centuries of the common period, this literature was written until current times. 

The literature included in-depth analysis of legal issues such as crime and punishment, civil law, contracts, and evidence standards. 

It also dealt with issues of social order. 

(“Dharma Treatises”) This term refers to a certain corpus of Sanskrit writings in their most specific meaning. 

These works were specifically intended to provide instructions for society's structure and proper human conduct within that civilization. 

The Dharma Shastras (aphorisms on religious duty) were composed shortly after the Dharma Sutras (aphorisms on religious duty) and are obviously fashioned after them, although with a few key differences. 

The Dharma Shastras are written in simple poetry, but the Dharma Sutras are written in prose. 

The Dharma Shastras were written in a language that is similar to ancient Sanskrit, and the authors attempted to make their books as plain and understandable as possible. 

The Dharma Shastras cover the same ground as the Dharma Sutras in terms of substance, but they lay a greater focus on figuring out the practical issues of social life, notably the king's obligations and powers. 

The last distinction is their relationship to older Vedic literature. 

Along with the Shrauta Sutras (prescriptions for Vedic ceremonies) and the Grhya Sutras, the Dharma Sutras were intended as the last piece of a Kalpa Sutra (full manual of religious practice) (prescriptions for domestic rites). 

Each Kalpa Sutra was linked to one of the Vedas (the earliest holy Hindu books) and hence became the "family property" of the brahmins (priests) who were connected to that Veda. 

As a result, each Dharma Sutra was connected with a certain set of brahmins and served largely as a guide for their conduct. 

The Dharma Shastras, on the other hand, professed to set out norms for all members of society. 

They are unconcerned with rituals and have no ties to any specific Vedic school, instead professing to set down universal truths. 

The surviving Dharma Shastras are all assigned to mythological sages—Manu, Yajnavalkya, and Narada—while the Dharma Sutras are given human authorship in line with this focus. 

Thus, the Dharma Shastras establish dharma (dharmashastra) as a discipline separate from older Vedic literature and applied to society as a whole. 

A five-volume compilation by Pandurang Vaman Kane (trans. ), A History of Dharmasastra, 1968, has the most comprehensive list of all these texts. 


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Hinduism - What Is The Hindu Concept Of Dharma?





The other three purusharthas, or life goals, are artha (money, power, and success), kama (desire), and moksha (liberation). 

The notion of dharma is so fundamental to Hindu society that no one English phrase can effectively convey it— potential translations include "religious law," "religious obligation," "duty," "religion," "law," or "social order." 




The term dharma is derived from a verb that means "to maintain" or "to uphold." 


  • Dharma is therefore defined as that which sustains or maintains society, which explains why all of the above translations make sense in this context. 
  • Dharma provides a general regulatory framework for living in the world, as well as a sense of ultimate purpose to keep one's life in check. 


Although Hindu culture encourages the pursuit of both power (artha) and pleasure (kama), it is thought that both will be regulated by an underlying commitment to dharma, which will keep one's life balanced and connected. 



The Dharma literature, particularly the Dharma Sutras (aphorisms on religious duty) and Dharma Shastras (treatises on religious duty), was principally concerned with putting down principles for an ordered and harmonious society, and these guidelines take many conceivable aspects into consideration. 

Despite the fact that these writings talked of an everlasting (sanatana) dharma and some universal obligations (sadharana dharma) that all humans must do, the most essential thing for every individual was his or her own dharma (svadharma)

Based on one's social standing (varna), period of life (ashrama), and gender (the specific dharma for women was stridharma), one's svadharma offered a well-defined social status and duty. 



These books were almost certainly written by brahmin (priest) males


  • They tell everything about how they felt things should be, but they are significantly less dependable when it comes to real social behaviors. 
  • The men who wrote this literature imagined an unequal society in which one's karma (actions), whether good, bad, or mixed, determined one's birth into high or low status groups. 


Despite their unequal standing, all groups were required for society to operate peacefully, and ultimate virtue resided in scrupulously completing one's designated social duty. 


Doing so dutifully was not only a source of religious merit, but it was also defined as one of the three pathways towards soul liberation, the road of Action, provided one performed one's tasks dispassionately from a feeling of responsibility (karmamarga). 



See Pandurang Vaman Kane (trans. ), A History of Dharmasastra, 1968, and K. S. Mathur, “Hindu Values of Life: Karma and Dharma,” in T. N. Madan (ed. ), Religion in India, 1991, for further information. 


Kiran Atma


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Hinduism And Hindu Theology - What Is Antyeshthi?

 






Antyeshthi means "final rituals." Samskara the sixteenth and last of the traditional life-cycle rituals (samskaras), which consists of funeral rites. 




Deathbed rituals for the dying individual, cremation for the corpse, asthi-sanchayana (collecting the ashes), sapindikarana (assimilation to the ancestors), different memorial rites known as shraddhas, and asthivisarjana are all examples of these rites (immersing the ashes in a sacred river). 


These rituals have a dual function. 

  • The first is to remove the body, which is a source of infection and impurity (ashaucha), thereby protecting the living from the dead. 
  • The second goal is to make it easier for the deceased person's spirit to go to the next realm. 


Apart from these purposes, conducting familiar and ceremonial rituals for the deceased provides psychological comfort to the living and helps in the mourning process. 



The following is just a summary of these rituals; check the individual articles for additional details. 



  • The first 10 days following death are when ritual practices are most intense, since this is considered to be the time of maximum impurity. 
    • Cremation is typically performed on the day of death, not just to avoid decomposition and illness in hot climates, but also to ensure that the corpse is destroyed and cannot be reanimated by a wandering soul. 

  • On the second or third day, the ashes (asthi-sanchayana) are collected. 
    • They would have been stored in a secure location for years until a relative visiting a holy river could conduct asthi-visarjana (immersion of the ashes); but, with the introduction of modern transportation, this is now usually done only a few days after death. 
    • Symbolic sustenance is provided to the spirit throughout this ten-day period to aid in the formation of a "new" body. 

  • The family holds the first of the memorial rituals known as shraddhas on the eleventh day; in this instance, an ekoddishta shraddha is held, in which brahmin visitors are served as surrogates for the ancestors. 

  • The family conducts the sapindikarana ritual on the twelfth day after death, in which the dead is integrated into the ranks of the ancestral spirits (pitr) and therefore no longer regarded a restless spirit. 

  • After then, there are yearly shraddhas once a year during the Pitrpaksha (“fortnight of the ancestors”), the waning moon period in the lunar month of Bhadrapada (August–September), which is exclusively dedicated to such monuments. 




See Pandurang Varnan Kane (trans. ), A History of Dharmasastra, 1968, and Raj Bali Pandey, Hindu Samskaras, 1969, for further details. 

See David M. Knipe, “Sapindikarana: The Hindu Rite of Entry into Heaven,” in Frank E. Reynolds and Earle H. Waugh (eds. ), Religious Encounters with Death, 1977; Lawrence Babb, The Divine Hierarchy, 1975; and Anne Grodzins Gold, Fruitful Journeys, 1988, for descriptions of contemporary practice.


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Shraddha

 

Shraddha (“faithful”) - An ancestral memorial ritual performed for a single individual (ekoddishta) or for a group of people, with the main beneficiaries being one's three paternal ancestors (parvana).

An ekoddishta shraddha is normally conducted for the first time on the eleventh day following a person's death, although it may be repeated on the death anniversary.

It is also commonly conducted every year during the Pitrpaksha, a two-week period dedicated to such ceremonies, on the lunar day that coincides to the lunar day of death during this time.

A parvana shraddha may be performed on many different occasions and for many different reasons.

Shraddhas are classified as belonging to all three types of ritual activity in the dharma literature and commentaries: nitya, naimittika, and kamya.

Because they are prescribed at certain periods, such as during the Pitrpaksha, some shraddhas are obliga tory (nitya).

Other shraddhas are sporadic (naimittika) since they are only required under particular circumstances, such as giving a tirtha shraddha while visiting a pilgrimage site (tirtha).

Finally, desiderative (kamya) shraddhas are done voluntarily because of a desire (kama) for particular rewards from them—usually imagined as the well-being of one's ancestors.

Whatever the reason for delivering the shraddha, the overall practice always includes two elements: symbolically feeding one's ancestor(s) by providing fried grain balls (pindas) and serving actual food to a group of brahmins (Hinduism's highest social position) who symbolize one's ancestors.

Each of these sections has a considerable lot of ceremonial complexity, and there is some debate regarding which should come first, although in current times, the pindas are usually offered before the meal.

Many books extol the spiritual benefits of feeding brahmins, which is not unexpected given that the majority of these texts were authored by brahmins, and for many brahmins living near pilgrimage sites, these shraddhas were (and still are) an essential source of income.

Many individuals, however, consider this kind of income to be parasitic and possibly inauspicious since it is obtained via ceremonies done for the deceased.

Pandurang Vaman Kane's A History of Dharmasastra was published in 1968, while Raj Bali Pandey's Hindu Samskaras was published in 1969.

Sacred Thread


A three-stranded circular rope draped over the left shoulder and down over the right hip.

The holy thread is handed to a boy as part of the upanayana samskara, or "second birth," which is teenage religious initiation.

A boy's right to study the Vedas, the oldest Hindu holy books, is conferred upon him at his second birth.

This initiatory ceremony is mandated in the dharma canon for all young males belonging to the three "twice-born" social groupings (varnas): brahmins, kshatriyas, and vaishyas.

The holy thread would have been the most apparent indication of a twice-born man, who was required to wear it since any religious activities performed without it were deemed futile.

Its existence in current times usually indicates that the wearer is a brahmin, since this ceremony is mostly performed by brahmins nowadays.

The holy thread is worn for long periods of time, although it must be replaced at particular occasions: after a violent impurity (ashaucha), such as death; after completing any ceremony of expiation (prayashchitta); and after eclipses or other very auspicious moments.

Pandurang Vaman Kane's A History of Dharmasastra was published in 1968, while Raj Bali Pandey's Hindu Samskaras was published in 1969.

Despite their antiquity, they remain the greatest sources on traditional Hindu customs.

The former is encyclopedic, while the latter is more approachable.

Prayashchitta

 


 A generic expression that refers to making amends for one's wrongdoings.

Based on the practically universal Hindu belief in the inevitable workings of karma, the Hindu religious tradition places a high value on penance and expiation.

All good and bad acts, according to this belief, will ultimately have an impact, either in this life or the next, and one must either atone for the evil done or face the repercussions in the future.

Confession, repentance (which was usually seen as preparation for expiation, rather than absolution of the evil itself), restraint of breath (pranayama), physical asceticism (tapas), fire sacrifice (homa), recitation of prayers (japa), gift-giving (dana), fasting (upavasa), and travel to sacred sites are among the acts prescribed for atonement (tirthayatra).

The prayashchitta literature is fairly extensive, both in terms of describing many sorts of transgressions and their possibly mitigating conditions, as well as the methods of atonement that should be undertaken for each offense.

Pandurang Vaman Kane (trans. ), A History of Dharmasastra, 1968, is a good source of knowledge.

Hinduism - What Is The Kalivarjya?

 

A collection of roughly fifty-five deeds "must be avoided in the Kali [Age]," the final age in the cosmic time cycle after which it is said the world will be destroyed and rebuilt.

One of the tactics employed by brahmin academics to prohibit certain religious practices that were required in the holy writings but were no longer acceptable due to changing beliefs was to adopt this strategy.

Around the eleventh century C.E., the Kalivarjya restrictions first appear in manuscripts.

Certain animal sacrifices authorized in the Vedas (the oldest Hindu religious books) and suicide by a human suffering from a terminal disease were deemed permissible in ancient times but outlawed during the Kali period.

Pandurang Vaman Kane (trans.), A History of Dharmasastra, 1968, is a good source of knowledge.


 


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Hinduism - What Is The Markandeya Purana?

 

Markandeya Purana is a Hindu scripture. One of the eighteen classic puranas, a sectarian compendium of epic tales and holy knowledge that is one of Hinduism's most significant texts.

Markandeya is claimed to have been an old sage, yet he had no special relationship with any god.

In this regard, the Markandeya Purana differs from the majority of others, which are clearly sectarian in nature.

The Devimahatmya, one of the purana's subsections, is well-known.

The Devimahatmya is the oldest and most significant literary source for Goddess mythology, describing the ulti mate force underlying all things as feminine.

Scholars argue that, although this book is the first to mention this religious view, it must have existed before since it is completely formed in this text.

Eight Classical Forms of Marriage Brahma, Daiva, Arsha, Prajapatya, Asura, Gandharva, Rakshasa, and Paishacha are the eight types of marriage recognized in Dharma literature (texts providing principles for proper human conduct and ideal social life).

The first four applications were accepted (prashasta).

The bride's father was responsible for arranging the marriage in each case: in the Brahma form, he gave his daughter as a gift with no conditions; in the Daiva form, she was given as a sacrificial fee; in the Arsha form, in exchange for a pair of cattle for sacrifice; and in the Prajapatya form, with the condition that the husband and wife perform their duties together.

The other four types of marriage were seen to be morally unacceptable (aprashasta).

The bride was traded for money in the Asura form, and the bride and groom plighted their troth by mutual consent—that is, by sensuous sensual sexual intercourse—were permitted in the Gandharva form.

The last two versions were completely prohibited: Rakshasa, in which the bride was forcefully kidnapped, and Paishacha, in which a male took sexual advantage of an insentient woman—due to intoxication, profound slumber, or drugging.

It's worth noting that all of these types were recognized legal marriages, including the two that were prohibited.

The goal of legalizing such unlawful weddings was to provide the lady the legal status of a wife, not to promote such behavior.

Except for the Brahma marriage, which has the greatest prestige, and the Asura marriage, most of these types of marriage are no longer performed in modern times.

See Pandurang Vaman Kane (trans. ), A History of Dharmasastra, 1968, and Raj Bali Pandey, Hindu Samskaras, 1969, for further details.

They are still the greatest sources on traditional Hindu religious practices, notwithstanding their antiquity.


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Hinduism - What Are The Marriage or Wedding Ceremonies In India?

 

Marriage or Wedding Ceremonies - Almost everyone in India gets married.

For twice-born males, marriage is a religious obligation that pays off one of their Three Debts, in this instance the debt owed to their ancestors.

Householders born into one of India's three "twice-born" classes, brahmin, kshatriya, or vaishya, are known as twice-born men.

Such guys are eligible for the "second birth," a kind of adolescent religious initiation.

The identity of most Hindu women is defined by their roles as spouses and mothers.

Marriage is also the catalyst for the formation and growth of families.

Marriage is the single most important event in most people's life since the family is considered the backbone of Hindu society.

Since of the importance of marriage in Hindu culture, this life-changing event is fraught with danger because there is no guarantee of success.

Other possible threats stem from the unlucky quality of specific periods and individuals, as well as the notion that this unluckiness will bring bad luck in the future.

Finally, since the bride and groom are the focus of attention in the days leading up to the wedding, there is a risk that ill will and jealousy from others would release malicious and hidden forces.

Hindu weddings, like many other life changes, are attended with careful consideration for recognizing invisible influences that may have a detrimental impact on the couple's future existence and protecting the bride and groom from them.

To begin the marriage on the greatest possible footing, the wedding is always held at an astrologically fortunate period.

The bride is often sequestered in the days leading up to the wedding to avoid coming into touch with individuals or things considered unlucky.

Both the bride and groom are anointed and decked like deities in a temple on their wedding day—according to popular belief, the pair becomes Lakshmi and Vishnu, god and goddess, on their wedding day.

When they are outdoors in the world, they are in ritual danger, both from the multitude of sources for ritual impurity (ashaucha) and from the belief that they are more sensitive to the evil eye (nazar) and other types of witchcraft.

When the bride or groom must be in the public sight, such as when the groom and his group of friends go in triumphal procession to the wedding hall, as is common in northern India, these hazards are fought with amulets and different ceremonies of protection.

Because they are in a tight and ritually controlled environment, surrounded by family and friends, the threat is less immediate once they are inside.

According to the eight classical forms of marriage accepted in the dharma canon, there is no singular Hindu marriage ritual.

The Asura form, in which the groom's family pays a brideprice to obtain the bride, and the Brahma form, in which the bride's family gives their daughter to the groom without any conditions (although the groom's family can usually expect a dowry with the bride in modern times), are the two forms most commonly practiced today.

The Brahma marriage is the most common and has a significantly greater social rank.

Although there is regional and denominational variety in wedding ceremonies in such a marriage, several shared customs indicate key cultural assumptions.

The transfer of the bride from her family to her husband's family, and the irreversible merger of the bride and groom into a new entity, the married couple, are the two key themes of a Hindu marriage.

The bride is transferred at the kanyadan rite, which is also known as the "gift of the virgin" and is conducted by the bride's father.

Several typical traditions represent the bride and groom's marital union, including pani grahana, in which the groom takes the bride's hand as a sign of their connection.

The saptapadi, or "seven steps" that the bride and groom take jointly, is another such ceremonial that is regarded the defining moment of the marriage.

The bride's transfer to the groom's family is completed at the seventh phase, at which time the marriage becomes irreversible.

The sapta padi is often done in combination with another ritual, the agnipradak shinam ("circumambulating the fire"), in current times.

Instead of walking seven steps, the bride and groom spin around a tiny fire seven times.

On the one hand, the presence of fire indicates that marriage is a Vedic yajna (sacrifice).

On the other hand, since fire is associated with the Vedic deity Agni, he serves as the divine witness to the wedding.

The bride and groom are often physically connected during the circumambulations by attaching a portion of his turban to the fringe of her sari.

This apparent tie between them is simply another proof of the newly developed inner togetherness.

As previously said, rather than a reciprocal metamorphosis, the wife's identity is "assimilated" to her husband's.

In northern India, following marriage, the bride lives with her husband's family; her new identity is completely based on her connection with her spouse, whilst his identity is largely untouched, although enhanced by marriage.

See Pandurang Vaman Kane (trans. ), A History of Dharmasastra, 1968, and Raj Bali Pandey, Hindu Samskaras, 1969, for further details.

Lawrence Babb's The Divine Hierarchy, published in 1975, contains information on present practice.

See also the eight classical kinds of marriage.


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Defining Hinduism by its History

'Hinduism' is an English term coined by Raja Rammohan Roy, an Indian social reformer, in 1816 and 1817. Rammohan Roy, a Hindu by birth and an outspoken critic of Hinduism as it was taught at the time, coined the phrase to characterize the religion of his forefathers, who believed in the unity of God, as'real Hinduism.' The word 'Hindu' is derived from the ancient Persian expression 'Sindhu', the name of the Indus river, which was initially used to describe a person who lived in the lands east of the Indus. While Al-Biruni in the eleventh century AD provided a precise and accurate description of those beliefs and practices, it is unclear how and when 'Hindu' with its ethno-geographical connotation came to mean a society with recognizable socio-religious beliefs and practices. The archaeology of Hindu worship and religion can be found in South Asia in the second millennium BC and Southeast Asia in the early-mid first millennium AD. Hinduism is still a living religion in India, Nepal, and Southeast Asia, where it lost its dominance in the thirteenth to fifteenth centuries, with just around 5% in Singapore, 2% in Indonesia, though more than 90% of the Balinese, and a very small group of Chams in south-central Asia.

 

What distinguishes Hinduism as a faith in terms of worship and ritual? The explanation of Hindu ritual conduct in India:

Within each or more of these classes, the average middle-class Hindu may be brought by one or more aspects of his daily religious practice, namely:

1. The veneration of ordinary stocks and stones, as well as local arrangements that are odd or grotesque in scale, form, or place.

2. The veneration of inanimate objects endowed with enigmatic motion.

3. Creatures who are hated are worshipped.

4. The veneration of visible, animate, or inanimate objects that are explicitly or indirectly useful and beneficial, or that have some nonsensical purpose or property.

5. Worship of a Deo, or ghost, a formless and empty object - a hazy impersonation of the strange feeling that comes over in some locations.

6. Worship of departed ancestors and other people that were familiar to the worshipper throughout their lifetime.

7. At shrines, people who had a good reputation in life or who died in a strange or famous manner are worshipped.

8. The worship of demigods or minor deities as demigods or subordinate deities in temples.

9. Worship of various territorial incarnations of the elder gods, as well as their representations.

10. The worship of departmental or sub-deities.

11. Hinduism's supreme gods, as well as their ancient incarnations and personifications, as documented in the Brahmanic scriptures.

And, in terms of the types of worship described in the just-completed catalogue, they are all heavily tinged by a heavy skylight reflection of overarching Brahmanism, from which the upper classes now claim to derive their meanings instantly.

 

Hinduism is defined largely in terms of what Hindus 'do' rather than what they 'say,' according to this definition. Hinduism, unlike Buddhism, Christianity, and Islam, does not have a historical creator or a codified canon that all adherents embrace. Hindu holy books are an incomplete guide to what the faith is about because they emphasize only certain elements based on the context from which they were written. Archaeology, with its focus on experience rather than contemplation, is a good place to start when looking into Hinduism's history.

Archaeological evidence has long been used to study Hinduism: temple architecture, statues, pictures and their iconography, and the spatial distribution of inscriptions are among the most studied categories. The body of Indian archaeological evidence from specific time periods needs to be analyzed on a regular basis. The essay explores holy sites in several spatial and temporal perspectives, from early historic Rajasthan to mediaeval Vijayanagara to Bali, to add to archaeology's contributions to the study of Hinduism. Another critical part of Lyall's interpretation is his focus on the overlapping existence of many modes of rituals and worship in most practicing Hindus' life cycles. The appearance of some of these elements in the Indian archaeological record indicates that they date from the late centuries BC; however, several of these elements seem to have a much longer ancestry. The apsidal finished shrines are part of a religious architectural pattern that dates to the third and second centuries BC. At third-millennium BC Nindowari in Baluchistan, the tradition of placing votive figurines at shrines is as old as the ceremonial obsession with cultic bathing - which would find continuity in later Hinduism's sanctity associated with water - and the worship of trees, with Harappan sites yielding evidence of both. But does the existence of certain elements imply that Hinduism can be traced back to India's protohistoric cultures? The substantive disparity in proof character cautions against drawing such a simple conclusion. For eg, at the Daimabad site in the second millennium BC, an agate phallus - later a symbol of the god Shiva, a member of the Brahmanical triad particularly synonymous with devastation - was discovered in an ash-filled pit, but it is only one specimen from a culture that spanned a wide area in Maharashtra. In comparison, there are many types of evidence of Shiva worship from the late centuries BC, including lingas or phallus, depictions of devotees worshipping a Shiva-linga, and emblems consistent with Shiva worship on coins. 

By this time, a few deities had developed a transregional influence, and a worshipper of one deity in one place would have been completely at ease worshipping the same deity in another. Many regions of early historic India, for example, had deities synonymous with fertility, water, and safety, as well as shrines for their worship. The Brahmanical system, with its numerous socio-religious sanctions and legislation, was still in effect by this period, and was a defining characteristic of Hinduism. For the first time, a cohesive body of evidence dating from the late centuries BC in South Asia and the early-mid first millennium AD in Southeast Asia has been assembled, allowing the 'archaeology of Hinduism' to be mapped out. As a result, this essay does not subscribe to the view that Hinduism was a nineteenth-century colonial invention, as premodern sources reveal the existence of Hinduism as a religious system of beliefs and practices, and the Dharmasastra texts, some of which date back to the second century BC, are a clear indicator of a self-aware social and religious identity.

Furthermore, the archaeological prominence of Hindu values and practices in India in the late centuries BC, which coincided with the advent of a materially configured Buddhism, may have been partially a reaction to and a result of a broader engagement with contemporary religious groups that contested the Brahmanical tradition's dominance. The Mauryan dynasty's consolidation of urban development and development of a pan-Indian empire were key factors in the convergence of early India's religions. In a situation where various religious traditions were both in conversation and rivalry with each other, worshippers of Shiva, Vishnu, and other Hindu gods and goddesses seem to have created and consolidated their own material language of theistic worship. Architectural, sculptural, inscriptional, and other material evidence for Hindu beliefs and practices exist many centuries later in Southeast Asia - especially from the Malay Peninsula, parts of Cambodia, Laos, Vietnam, and Thailand, and some of the Indonesian archipelago's islands - but not simultaneously or identically manifested in all of these regions. Two early sources of evidence currently come from Vietnam and two Indonesian islands: from the former comes the Vo Canh inscription written in Sanskrit on three sides of a stupa, and which is dated palaeographically to the third century AD: 'The surviving passages appear to describe a donation of wealth made by "the joy of the family of the daughter of the grandson of the king Sri Mara" to give equality to his sons, brothers and male descendants .... Theological words used in the text are most likely Hindu in origin, but they come from a pre-Puranic tradition.' Slightly later are the east Kalimanatan stone pillars or stupa, inscribed with Sanskrit verses and dated palaeographically to c. the fourth-fifth century AD, which commemorate gifts given to brahmins for their performance of rituals characteristic of archaic Hindu practices in India on behalf of king Mulavarman.

Several fifth-century Sanskrit inscriptions from a polity named Taruma or Tarumanagara, which refer to Hindu deities, as well as fifth-sixth-century Vishnu sculptures, lingas, and other Hindu-related materials from Cibuaya, have yielded roughly contemporary evidence. Evidence of the local acceptance or transformation of other Indian ideas and components, such as Buddhism, which coexisted and or or fluctuated in dominance within any given region during the premodern period, models of kingship and social order, Sanskrit, the calendrical structure, literary practices, and so on, occurs around the early-mid-first millennium AD. The fact that Hinduism has been shaped and reshaped by numerous influences over its history in South and Southeast Asia warrants further investigation.

 

Identifying prayer and ceremonial spaces


 

Hindu worship and practice are made up of intertwined components that can be used in both public and private spaces. Though a detailed examination of this rich and diverse geography is beyond the reach of this article, the following section provides a general typology of the contexts in which Hindu worship took place.

 

Temples are a form of religious structure.


The temple, which was found both within and outside villages, was the most visible place of Hindu worship. The first temples in South Asia appear in the late centuries BC, and although no complete specimen has survived, the ground plans indicate a variety of forms, ranging from elliptical to apsidal. Many depictions of temples in Indian art from the late centuries BC are made of perishable materials. Temples of this kind were popular in village India until recently, implying that, although excavated stone examples date from the late centuries BC, temples made of clay, bamboo, or wood may predate them. The earliest temples in Southeast Asia date from the mid-first millennium AD, and are known from the remains of their foundations, as in India. For example, remains of fourth-sixth-century AD brick temples and a fifth-seventh-century AD stone and brick temple foundation and linga uncovered at Nen Chua, and remains of a sixth century Vaishnodevi temple uncovered in the Malay Peninsula. Shrines were often made of perishable materials, but whether they predate the oldest temples in Southeast Asia made of robust materials needs further research. The remaining shrines from the fourth to sixth centuries AD, coinciding with the Gupta dynasty, are comparatively complete, with most of them having been discovered in central and north India.

Temple plans were more elaborate in the intervening years, with podiums, superstructures, colonnaded rooms, vestibules, and open courts. They are often adorned with reliefs portraying saints, mythological scenes, and regal processions. However, though elaborate buildings became more prevalent in later times, such as at mediaeval Vijayanagara; similarly, architecturally simplistic shrines did not vanish in Southeast Asia, such as at Angkor. As temples generally enshrined a presiding deity, which, particularly from early shrines, often no longer survives in situ, an immense wealth of Hindu icons of worship are encountered in South and Southeast Asia - rendered in a variety of mediums such as wood, stone, various metals, and terracotta - as temples generally enshrined a presiding deity which, especially from early shrines, often no longer survives in situ. Where they do exist, they can be interpreted in a variety of ways.

Shiva was worshipped in his aniconic form, the phallic symbol, and sometimes in his human form, or a mixture of both. Vishnu, or the preserver deity of the Brahmanical triad, was generally worshipped by images. Brahma, the triad's creator deity, was often depicted in human form, but his popularity as a cult god was limited. In India, goddesses such as Gajalakshmi and Mahishasuramardini were widely worshipped, and some of the oldest temples featured goddesses like Gajalakshmi and Mahishasuramardini on plaques. There were also classic depictions of animal-human hybrids, such as Ganesha, the elephant-headed deity. Humans were often often depicted as animals, such as Vishnu as Matsya, a shark, Kurma, a tortoise, Varaha, a boar, and Kalki, a horse. Outside of temples, images were revered in open air shrines and when carried in processions, such as many of the famed South Indian bronzes carried in processions.

Texts identify a wide range of temple rituals, and archaeological representations of those activities can be looked for when excavating temple sites. Some of them started well before the foundation was built. For example, after a location was selected, it had to be consecrated by foundation ceremonies; ceremonial deposits were often deposited in temple foundations. Furthermore, some temple rituals have left material remains, such as large terracotta bowls excavated from the temple areas at Bhitari in north India between AD 450 and 550, which were likely used to give food to the deity or for the ceremonial feeding of large numbers of worshippers or pilgrims. Sprinklers or from the Bhitari temple fields, which priests likely used to sprinkle water when doing worship; animals sacrificed for the deity or e.g. domestic sheep and humped cattle bones were discovered in the inner sanctum of the Parasuramesvara temple in Gudimallam, Andhra Pradesh. Votive offerings in the shape of terracotta figurines of various gods and goddesses, as well as lamps, ablution basins, and votive offerings in the form of terracotta figurines of various gods and goddesses.

Generally, the votive figurines given were associated with the shrine's presiding deity, though this was not always the case. In addition to a Vishnu portrait and sculpted panels portraying him, the excavated votive artefacts at the ninth-century AD Avantisvami temple in Kashmir dedicated to Vishnu contained terracotta miniature lingas, which were usually rendered to Shiva. The appearance of such offerings can be explained by the surrounding presence of a Shiva temple or Avantisvara: devotees may have reached the Avantisvami temple after worshipping Shiva there, bearing the same kind of paraphernalia that was used for Shiva worship. They made miniature linga offerings to Vishnu as well, disregarding those who believed Vishnu and Shiva worship were mutually exclusive. Mendicants and preceptors have traditionally held a special role in Hinduism, which is also evident in the temples with which they were associated during their lifetimes. 

The temple of Srirangam in Tamil Nadu, dedicated to Vishnu, is a well-known example of this; the twelfth-century Hindu reformer and philosopher Ramanuja lived here for a large part of his life and, evidently, was also buried here, his shrine being built at that exact place. Although the origins of this tradition are unknown, evidence of teacher shrines can be found as early as the Gupta period, for example, a c. fourth-century AD stone pilaster from Mathura bears an inscription suggesting that it was used in a shrine dedicated to recalling a line of Maheshvara teachers. Preceptors may also influence the design of temples constructed by their devotees.


 

Tanks, sacrifice places, and folk shrines


Though temples remain the most spectacular of Hinduism's holy sites, public ceremonies were not exclusive to them. Other arenas include sacrificial sites, areas where ceremonial donations are publicly performed, prayer near rivers, and village shrines. The options for identifying such locations, as well as the nature of archaeological evidence that may shed light on the related rituals, are discussed further below. Many of India's popular Hindu pilgrimage sites are situated at the source or along the banks of rivers, where ancestor oblations, river worship with fire, and bathing in them on special days are all practiced on a regular basis. Such performances rarely leave permanent archaeological marks or Hooja, according to this article, while Sringaverapura, on the left bank of the Ganga river, is one site that has yielded such evidence in connection with a water source. 

The river was some distance from the village in ancient times, so a huge tank complex was built to provide good potable water for the inhabitants. The system drained water from the river into a silting chamber and a series of tanks through a canal. In the first century AD, one of them, Tank C, became associated with certain religious rites, and among the remains are terracotta figurines of deities such as Kubera, Shiva, Parvati, and Hariti or Shashthi, as well as animals and votive tanks. The essence of the ceremonies that necessitated such objects remains unclear, but the tank complex seems to have served a dual purpose: its waters offered both physical and moral nourishment. Outside of temples, archaeological remnants of public ceremonies can be found in specially prepared grounds or spaces for the execution of sacrifices. There are brick platforms in the shape of a syena, hawk, or eagle with spread wings at Jagatgram, in the north Indian state of Uttaranchal, that closely resemble descriptions in Vedic literature.

The epigraphs on some bricks show that these consecrate rites were associated with the asvamedha or horse sacrifice. Oblations of various kinds were commonly offered at such sacrifices, but no such evidence has been found at Jagatgram. However, the Kushana period from AD 100-300 altars at Sanghol in Punjab have yielded large quantities of organic material from ritual fire altars, and a palaeobotanical investigation of these Kushana period from AD 100-300 altars confirmed that the material was of the kind that was usually used in sacrifices, e.g. of various food grains, such as rice, barley, black gramme, lentil, and sesame; edible fruits These findings bring to life, possibly for the first time, the detailed depictions of intricate sacrificial sacrifices and oblations used in Hindu religious texts. The question of social access to worship and the rights of various communities to conduct rites at Indian religious sites is typically overlooked in archaeological studies. While it is difficult to find archaeological evidence of the Brahmanical system in Southeast Asia, in which different social classes were given entry based on their caste hierarchy position, or which only occurred in theory, it is difficult to believe that such sites were not distinguished by caste exclusions.

Given that the Arthasastra, a text from the late third millennium BC, prescribed where the cremation grounds of the various varnas, or four social divisions, should be located, it seems possible that not everybody was granted entry to arenas like temples, to worship and conduct rituals there. In terms of whether there were any arenas outside of temple Hinduism where all these communities could come together to pray, ethnographic records indicate that there were. The 'Devi,' or goddess, who is commonly revered in such places, is represented by a variety of village shrines, ranging from artificial platforms on which a rough stone is worshipped as her embodiment to natural objects such as trees, caves, and hills. 

Since Brahman priests are not expected to mediate at these shrines, devotees from all social classes attend. Similarly, ethnographic accounts of village shrines are likely to be signifiers of a premodern existence, as folk gods revered at such shrines can be found in the early historical record. In the Hindu tradition, public places of worship and ceremony were of different forms, some of which were distinguished by caste sanctions that revealed limits. Convergences and backgrounds with shared social values and tolerances may also exist; village shrines were one such intersection point.

 

Worship in the home


Hindu rites and worship took place in a variety of domestic settings. Unfortunately, little is known archaeologically about domestic-level Hindu activities in Southeast Asia; much of what is currently known is focused largely on what can be gleaned from excavation reports of historic settlements in India, especially data on their structural remains. One point to remember is that, much as today, citizens of diverse religious faiths lived together, resulting in the spatial coexistence of various forms of domestic worship. Excavations at Kapilavastu, for example, have uncovered habitational evidence dating from about 800 BC to the third century AD, as well as terracotta Buddha figures attesting to Buddhist icon worship in the early centuries AD. 

However, as shown by terracotta heads or, for example, one depicting Shiva with a snake-hood on top and a long yajyopavita or holy thread on his back, there were Shiva devotees. Jains may have also worshipped there, as evidenced by the presence of a naked Jina figure or ibid. on the terracottas. In India, terracotta figurines, votive terracotta reservoirs, and female and male figurines were commonly used in domestic worship. Female terracotta figurines have been discovered in ancient rural settlements, such as Narhan, where they were particularly prevalent between c. 200 BC and AD 600. Some of the plaques at Narhan are of the same genre as those found in the north Indian cities of Tamluk, Kausambi, Ahicchhatra, and Rajghat, implying that those who believed in the influence of this 'goddess' comprised a wide cross-section of urban and rural communities. It's also worth noting that female figurines and terracotta votive tanks are commonplace items with nothing particularly 'Hindu,' 'Buddhist,' or 'Jain' about them when seen in isolation. As a result, interpretations of them as Hindu ritual markers must be dependent on their archaeological background.