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Hinduism - What Is Kalpavas? Who Are The Kalpavasis?

 


Kalpavas (meaning "dwelling for a kalpa") is a Sanskrit word that means "residence for a kalpa." During the annual Magh Mela event in Allahabad during the lunar month of Magh (January–February), a strict religious vow is made.

The confluence of two holy rivers, the Ganges and the Yamuna, is where Allahabad is located.

The fundamental religious rite of the celebration is bathing (snana) at this point.




Although most visitors only remain for a few days during the festival, kalpavasis, or persons who have taken the kalpavas vow, stay for the full month.

Kalpavasis also promise to follow a rigorous ascetic lifestyle that includes daily baths in the Ganges, a limited diet, specific attire and worship, and participation at religious meetings known as satsang.

The ascetics from all over South Asia who come to bathe in the hallowed waters are the main players in the Kumbha Mela.

According to legend, the great philosopher Shankaracharya founded the Kumbha Mela to encourage regular meetings of educated and holy men as a way to reinforce, preserve, and disseminate Hindu religious ideas.

 

Kalpavasis: The Spiritual Heart of the Kumbh Mela




The Kumbh Mela, a colossal gathering of Hindu pilgrims, is renowned for its vibrant spectacle and profound spiritual significance. At the heart of this mega-event reside the Kalpavasis, a unique group of ascetics and devotees who embody the essence of spiritual dedication. The term "Kalpavasis" translates to "dwellers of the Kalpa," referring to the immense cycles of time in Hindu cosmology. These individuals immerse themselves in a rigorous spiritual retreat during the Kumbh Mela, renouncing worldly comforts and dedicating themselves entirely to divine pursuits.

Kalpavasis exemplify the highest ideals of Hindu spirituality, characterized by unwavering devotion and rigorous self-discipline. They embrace a life of austerity, often residing in simple shelters within the Kumbh Mela grounds. Their daily routine involves a strict regimen of spiritual practices, including early morning dips in the sacred river, hours of meditation, chanting of mantras, and rigorous fasting. This austere lifestyle is aimed at purifying the mind and body, culminating in the ultimate goal of spiritual enlightenment and liberation from the cycle of birth and death.



Beyond their individual practices, Kalpavasis play a crucial role in fostering a strong sense of community within the Kumbh Mela. They often live in small groups, sharing resources and engaging in collective spiritual practices. This communal living fosters a supportive environment for spiritual growth and provides a powerful example of the transformative power of collective devotion.

The presence of Kalpavasis at the Kumbh Mela is of immense significance. They serve as living embodiments of Hindu ideals, inspiring millions of pilgrims with their unwavering devotion and selfless service. Many seek their blessings and guidance, considering them to be conduits of divine wisdom. Moreover, Kalpavasis play a vital role in preserving and transmitting the rich tapestry of Hindu traditions and values across generations.


Kalpavasis are an integral part of the Kumbh Mela, embodying the very essence of this extraordinary spiritual gathering. Their unwavering devotion, rigorous practices, and selfless service serve as an inspiration to millions, reminding us of the timeless values of renunciation, self-discipline, and the pursuit of spiritual enlightenment.




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Defining Hinduism by its History

'Hinduism' is an English term coined by Raja Rammohan Roy, an Indian social reformer, in 1816 and 1817. Rammohan Roy, a Hindu by birth and an outspoken critic of Hinduism as it was taught at the time, coined the phrase to characterize the religion of his forefathers, who believed in the unity of God, as'real Hinduism.' The word 'Hindu' is derived from the ancient Persian expression 'Sindhu', the name of the Indus river, which was initially used to describe a person who lived in the lands east of the Indus. While Al-Biruni in the eleventh century AD provided a precise and accurate description of those beliefs and practices, it is unclear how and when 'Hindu' with its ethno-geographical connotation came to mean a society with recognizable socio-religious beliefs and practices. The archaeology of Hindu worship and religion can be found in South Asia in the second millennium BC and Southeast Asia in the early-mid first millennium AD. Hinduism is still a living religion in India, Nepal, and Southeast Asia, where it lost its dominance in the thirteenth to fifteenth centuries, with just around 5% in Singapore, 2% in Indonesia, though more than 90% of the Balinese, and a very small group of Chams in south-central Asia.

 

What distinguishes Hinduism as a faith in terms of worship and ritual? The explanation of Hindu ritual conduct in India:

Within each or more of these classes, the average middle-class Hindu may be brought by one or more aspects of his daily religious practice, namely:

1. The veneration of ordinary stocks and stones, as well as local arrangements that are odd or grotesque in scale, form, or place.

2. The veneration of inanimate objects endowed with enigmatic motion.

3. Creatures who are hated are worshipped.

4. The veneration of visible, animate, or inanimate objects that are explicitly or indirectly useful and beneficial, or that have some nonsensical purpose or property.

5. Worship of a Deo, or ghost, a formless and empty object - a hazy impersonation of the strange feeling that comes over in some locations.

6. Worship of departed ancestors and other people that were familiar to the worshipper throughout their lifetime.

7. At shrines, people who had a good reputation in life or who died in a strange or famous manner are worshipped.

8. The worship of demigods or minor deities as demigods or subordinate deities in temples.

9. Worship of various territorial incarnations of the elder gods, as well as their representations.

10. The worship of departmental or sub-deities.

11. Hinduism's supreme gods, as well as their ancient incarnations and personifications, as documented in the Brahmanic scriptures.

And, in terms of the types of worship described in the just-completed catalogue, they are all heavily tinged by a heavy skylight reflection of overarching Brahmanism, from which the upper classes now claim to derive their meanings instantly.

 

Hinduism is defined largely in terms of what Hindus 'do' rather than what they 'say,' according to this definition. Hinduism, unlike Buddhism, Christianity, and Islam, does not have a historical creator or a codified canon that all adherents embrace. Hindu holy books are an incomplete guide to what the faith is about because they emphasize only certain elements based on the context from which they were written. Archaeology, with its focus on experience rather than contemplation, is a good place to start when looking into Hinduism's history.

Archaeological evidence has long been used to study Hinduism: temple architecture, statues, pictures and their iconography, and the spatial distribution of inscriptions are among the most studied categories. The body of Indian archaeological evidence from specific time periods needs to be analyzed on a regular basis. The essay explores holy sites in several spatial and temporal perspectives, from early historic Rajasthan to mediaeval Vijayanagara to Bali, to add to archaeology's contributions to the study of Hinduism. Another critical part of Lyall's interpretation is his focus on the overlapping existence of many modes of rituals and worship in most practicing Hindus' life cycles. The appearance of some of these elements in the Indian archaeological record indicates that they date from the late centuries BC; however, several of these elements seem to have a much longer ancestry. The apsidal finished shrines are part of a religious architectural pattern that dates to the third and second centuries BC. At third-millennium BC Nindowari in Baluchistan, the tradition of placing votive figurines at shrines is as old as the ceremonial obsession with cultic bathing - which would find continuity in later Hinduism's sanctity associated with water - and the worship of trees, with Harappan sites yielding evidence of both. But does the existence of certain elements imply that Hinduism can be traced back to India's protohistoric cultures? The substantive disparity in proof character cautions against drawing such a simple conclusion. For eg, at the Daimabad site in the second millennium BC, an agate phallus - later a symbol of the god Shiva, a member of the Brahmanical triad particularly synonymous with devastation - was discovered in an ash-filled pit, but it is only one specimen from a culture that spanned a wide area in Maharashtra. In comparison, there are many types of evidence of Shiva worship from the late centuries BC, including lingas or phallus, depictions of devotees worshipping a Shiva-linga, and emblems consistent with Shiva worship on coins. 

By this time, a few deities had developed a transregional influence, and a worshipper of one deity in one place would have been completely at ease worshipping the same deity in another. Many regions of early historic India, for example, had deities synonymous with fertility, water, and safety, as well as shrines for their worship. The Brahmanical system, with its numerous socio-religious sanctions and legislation, was still in effect by this period, and was a defining characteristic of Hinduism. For the first time, a cohesive body of evidence dating from the late centuries BC in South Asia and the early-mid first millennium AD in Southeast Asia has been assembled, allowing the 'archaeology of Hinduism' to be mapped out. As a result, this essay does not subscribe to the view that Hinduism was a nineteenth-century colonial invention, as premodern sources reveal the existence of Hinduism as a religious system of beliefs and practices, and the Dharmasastra texts, some of which date back to the second century BC, are a clear indicator of a self-aware social and religious identity.

Furthermore, the archaeological prominence of Hindu values and practices in India in the late centuries BC, which coincided with the advent of a materially configured Buddhism, may have been partially a reaction to and a result of a broader engagement with contemporary religious groups that contested the Brahmanical tradition's dominance. The Mauryan dynasty's consolidation of urban development and development of a pan-Indian empire were key factors in the convergence of early India's religions. In a situation where various religious traditions were both in conversation and rivalry with each other, worshippers of Shiva, Vishnu, and other Hindu gods and goddesses seem to have created and consolidated their own material language of theistic worship. Architectural, sculptural, inscriptional, and other material evidence for Hindu beliefs and practices exist many centuries later in Southeast Asia - especially from the Malay Peninsula, parts of Cambodia, Laos, Vietnam, and Thailand, and some of the Indonesian archipelago's islands - but not simultaneously or identically manifested in all of these regions. Two early sources of evidence currently come from Vietnam and two Indonesian islands: from the former comes the Vo Canh inscription written in Sanskrit on three sides of a stupa, and which is dated palaeographically to the third century AD: 'The surviving passages appear to describe a donation of wealth made by "the joy of the family of the daughter of the grandson of the king Sri Mara" to give equality to his sons, brothers and male descendants .... Theological words used in the text are most likely Hindu in origin, but they come from a pre-Puranic tradition.' Slightly later are the east Kalimanatan stone pillars or stupa, inscribed with Sanskrit verses and dated palaeographically to c. the fourth-fifth century AD, which commemorate gifts given to brahmins for their performance of rituals characteristic of archaic Hindu practices in India on behalf of king Mulavarman.

Several fifth-century Sanskrit inscriptions from a polity named Taruma or Tarumanagara, which refer to Hindu deities, as well as fifth-sixth-century Vishnu sculptures, lingas, and other Hindu-related materials from Cibuaya, have yielded roughly contemporary evidence. Evidence of the local acceptance or transformation of other Indian ideas and components, such as Buddhism, which coexisted and or or fluctuated in dominance within any given region during the premodern period, models of kingship and social order, Sanskrit, the calendrical structure, literary practices, and so on, occurs around the early-mid-first millennium AD. The fact that Hinduism has been shaped and reshaped by numerous influences over its history in South and Southeast Asia warrants further investigation.

 

Identifying prayer and ceremonial spaces


 

Hindu worship and practice are made up of intertwined components that can be used in both public and private spaces. Though a detailed examination of this rich and diverse geography is beyond the reach of this article, the following section provides a general typology of the contexts in which Hindu worship took place.

 

Temples are a form of religious structure.


The temple, which was found both within and outside villages, was the most visible place of Hindu worship. The first temples in South Asia appear in the late centuries BC, and although no complete specimen has survived, the ground plans indicate a variety of forms, ranging from elliptical to apsidal. Many depictions of temples in Indian art from the late centuries BC are made of perishable materials. Temples of this kind were popular in village India until recently, implying that, although excavated stone examples date from the late centuries BC, temples made of clay, bamboo, or wood may predate them. The earliest temples in Southeast Asia date from the mid-first millennium AD, and are known from the remains of their foundations, as in India. For example, remains of fourth-sixth-century AD brick temples and a fifth-seventh-century AD stone and brick temple foundation and linga uncovered at Nen Chua, and remains of a sixth century Vaishnodevi temple uncovered in the Malay Peninsula. Shrines were often made of perishable materials, but whether they predate the oldest temples in Southeast Asia made of robust materials needs further research. The remaining shrines from the fourth to sixth centuries AD, coinciding with the Gupta dynasty, are comparatively complete, with most of them having been discovered in central and north India.

Temple plans were more elaborate in the intervening years, with podiums, superstructures, colonnaded rooms, vestibules, and open courts. They are often adorned with reliefs portraying saints, mythological scenes, and regal processions. However, though elaborate buildings became more prevalent in later times, such as at mediaeval Vijayanagara; similarly, architecturally simplistic shrines did not vanish in Southeast Asia, such as at Angkor. As temples generally enshrined a presiding deity, which, particularly from early shrines, often no longer survives in situ, an immense wealth of Hindu icons of worship are encountered in South and Southeast Asia - rendered in a variety of mediums such as wood, stone, various metals, and terracotta - as temples generally enshrined a presiding deity which, especially from early shrines, often no longer survives in situ. Where they do exist, they can be interpreted in a variety of ways.

Shiva was worshipped in his aniconic form, the phallic symbol, and sometimes in his human form, or a mixture of both. Vishnu, or the preserver deity of the Brahmanical triad, was generally worshipped by images. Brahma, the triad's creator deity, was often depicted in human form, but his popularity as a cult god was limited. In India, goddesses such as Gajalakshmi and Mahishasuramardini were widely worshipped, and some of the oldest temples featured goddesses like Gajalakshmi and Mahishasuramardini on plaques. There were also classic depictions of animal-human hybrids, such as Ganesha, the elephant-headed deity. Humans were often often depicted as animals, such as Vishnu as Matsya, a shark, Kurma, a tortoise, Varaha, a boar, and Kalki, a horse. Outside of temples, images were revered in open air shrines and when carried in processions, such as many of the famed South Indian bronzes carried in processions.

Texts identify a wide range of temple rituals, and archaeological representations of those activities can be looked for when excavating temple sites. Some of them started well before the foundation was built. For example, after a location was selected, it had to be consecrated by foundation ceremonies; ceremonial deposits were often deposited in temple foundations. Furthermore, some temple rituals have left material remains, such as large terracotta bowls excavated from the temple areas at Bhitari in north India between AD 450 and 550, which were likely used to give food to the deity or for the ceremonial feeding of large numbers of worshippers or pilgrims. Sprinklers or from the Bhitari temple fields, which priests likely used to sprinkle water when doing worship; animals sacrificed for the deity or e.g. domestic sheep and humped cattle bones were discovered in the inner sanctum of the Parasuramesvara temple in Gudimallam, Andhra Pradesh. Votive offerings in the shape of terracotta figurines of various gods and goddesses, as well as lamps, ablution basins, and votive offerings in the form of terracotta figurines of various gods and goddesses.

Generally, the votive figurines given were associated with the shrine's presiding deity, though this was not always the case. In addition to a Vishnu portrait and sculpted panels portraying him, the excavated votive artefacts at the ninth-century AD Avantisvami temple in Kashmir dedicated to Vishnu contained terracotta miniature lingas, which were usually rendered to Shiva. The appearance of such offerings can be explained by the surrounding presence of a Shiva temple or Avantisvara: devotees may have reached the Avantisvami temple after worshipping Shiva there, bearing the same kind of paraphernalia that was used for Shiva worship. They made miniature linga offerings to Vishnu as well, disregarding those who believed Vishnu and Shiva worship were mutually exclusive. Mendicants and preceptors have traditionally held a special role in Hinduism, which is also evident in the temples with which they were associated during their lifetimes. 

The temple of Srirangam in Tamil Nadu, dedicated to Vishnu, is a well-known example of this; the twelfth-century Hindu reformer and philosopher Ramanuja lived here for a large part of his life and, evidently, was also buried here, his shrine being built at that exact place. Although the origins of this tradition are unknown, evidence of teacher shrines can be found as early as the Gupta period, for example, a c. fourth-century AD stone pilaster from Mathura bears an inscription suggesting that it was used in a shrine dedicated to recalling a line of Maheshvara teachers. Preceptors may also influence the design of temples constructed by their devotees.


 

Tanks, sacrifice places, and folk shrines


Though temples remain the most spectacular of Hinduism's holy sites, public ceremonies were not exclusive to them. Other arenas include sacrificial sites, areas where ceremonial donations are publicly performed, prayer near rivers, and village shrines. The options for identifying such locations, as well as the nature of archaeological evidence that may shed light on the related rituals, are discussed further below. Many of India's popular Hindu pilgrimage sites are situated at the source or along the banks of rivers, where ancestor oblations, river worship with fire, and bathing in them on special days are all practiced on a regular basis. Such performances rarely leave permanent archaeological marks or Hooja, according to this article, while Sringaverapura, on the left bank of the Ganga river, is one site that has yielded such evidence in connection with a water source. 

The river was some distance from the village in ancient times, so a huge tank complex was built to provide good potable water for the inhabitants. The system drained water from the river into a silting chamber and a series of tanks through a canal. In the first century AD, one of them, Tank C, became associated with certain religious rites, and among the remains are terracotta figurines of deities such as Kubera, Shiva, Parvati, and Hariti or Shashthi, as well as animals and votive tanks. The essence of the ceremonies that necessitated such objects remains unclear, but the tank complex seems to have served a dual purpose: its waters offered both physical and moral nourishment. Outside of temples, archaeological remnants of public ceremonies can be found in specially prepared grounds or spaces for the execution of sacrifices. There are brick platforms in the shape of a syena, hawk, or eagle with spread wings at Jagatgram, in the north Indian state of Uttaranchal, that closely resemble descriptions in Vedic literature.

The epigraphs on some bricks show that these consecrate rites were associated with the asvamedha or horse sacrifice. Oblations of various kinds were commonly offered at such sacrifices, but no such evidence has been found at Jagatgram. However, the Kushana period from AD 100-300 altars at Sanghol in Punjab have yielded large quantities of organic material from ritual fire altars, and a palaeobotanical investigation of these Kushana period from AD 100-300 altars confirmed that the material was of the kind that was usually used in sacrifices, e.g. of various food grains, such as rice, barley, black gramme, lentil, and sesame; edible fruits These findings bring to life, possibly for the first time, the detailed depictions of intricate sacrificial sacrifices and oblations used in Hindu religious texts. The question of social access to worship and the rights of various communities to conduct rites at Indian religious sites is typically overlooked in archaeological studies. While it is difficult to find archaeological evidence of the Brahmanical system in Southeast Asia, in which different social classes were given entry based on their caste hierarchy position, or which only occurred in theory, it is difficult to believe that such sites were not distinguished by caste exclusions.

Given that the Arthasastra, a text from the late third millennium BC, prescribed where the cremation grounds of the various varnas, or four social divisions, should be located, it seems possible that not everybody was granted entry to arenas like temples, to worship and conduct rituals there. In terms of whether there were any arenas outside of temple Hinduism where all these communities could come together to pray, ethnographic records indicate that there were. The 'Devi,' or goddess, who is commonly revered in such places, is represented by a variety of village shrines, ranging from artificial platforms on which a rough stone is worshipped as her embodiment to natural objects such as trees, caves, and hills. 

Since Brahman priests are not expected to mediate at these shrines, devotees from all social classes attend. Similarly, ethnographic accounts of village shrines are likely to be signifiers of a premodern existence, as folk gods revered at such shrines can be found in the early historical record. In the Hindu tradition, public places of worship and ceremony were of different forms, some of which were distinguished by caste sanctions that revealed limits. Convergences and backgrounds with shared social values and tolerances may also exist; village shrines were one such intersection point.

 

Worship in the home


Hindu rites and worship took place in a variety of domestic settings. Unfortunately, little is known archaeologically about domestic-level Hindu activities in Southeast Asia; much of what is currently known is focused largely on what can be gleaned from excavation reports of historic settlements in India, especially data on their structural remains. One point to remember is that, much as today, citizens of diverse religious faiths lived together, resulting in the spatial coexistence of various forms of domestic worship. Excavations at Kapilavastu, for example, have uncovered habitational evidence dating from about 800 BC to the third century AD, as well as terracotta Buddha figures attesting to Buddhist icon worship in the early centuries AD. 

However, as shown by terracotta heads or, for example, one depicting Shiva with a snake-hood on top and a long yajyopavita or holy thread on his back, there were Shiva devotees. Jains may have also worshipped there, as evidenced by the presence of a naked Jina figure or ibid. on the terracottas. In India, terracotta figurines, votive terracotta reservoirs, and female and male figurines were commonly used in domestic worship. Female terracotta figurines have been discovered in ancient rural settlements, such as Narhan, where they were particularly prevalent between c. 200 BC and AD 600. Some of the plaques at Narhan are of the same genre as those found in the north Indian cities of Tamluk, Kausambi, Ahicchhatra, and Rajghat, implying that those who believed in the influence of this 'goddess' comprised a wide cross-section of urban and rural communities. It's also worth noting that female figurines and terracotta votive tanks are commonplace items with nothing particularly 'Hindu,' 'Buddhist,' or 'Jain' about them when seen in isolation. As a result, interpretations of them as Hindu ritual markers must be dependent on their archaeological background.


Hinduism And Hindu Theology - Where Is Amarnath?

 


“The Undying Lord” is the literal translation of  Amarnath. A Sacred location (tirtha) and pilgrimage destination devoted to the deity Shiva in the form of Amarnath, situated high in the Kashmiri highlands the Earthly abode of the Eternal, Auspicious and Undying Lord Shiva. 


  • The site's centerpiece is a limestone cave, where melting snow trickles through limestone cracks each year, gradually forming an ice pillar. 
  • This pillar may grow to reach more than seven feet tall at its tallest point, although the height varies greatly from year to year depending on the weather. 
  • The linga, a cylindrical shape inadequately characterized as a "phallic sign," is the most popular aniconic picture of Shiva. 
  • The ice pillar in the Amarnath cave is said to be a svayambhu, or "selfmanifested," linga of Shiva, according to Hindus. 
  • These lingas are not created by humans, but rather by Shiva himself, who chooses to show himself out of love for his followers (bhakta). 
  • Because Shiva is considered to be uniquely present, every svayambhu picture is thought to be especially holy. 
  • These locations are often seen as especially effective settings for prayer and worship. 


The Amarnath cave is located in a remote location that is snowbound for the most of the year. 



  • The pilgrimage takes place in the month of Shravan (July–August), with pilgrims planning their journey to arrive on the full moon day. 
  • The pilgrimage formally starts in Shrinagar's Dashanami Sanyasi akhara, where the akhara's leader (mahant) wields a silver mace as a symbol of his power. 
  • Ascetics are granted this status because they are living representations of Shiva, who is the ultimate ascetic. 
  • The village of Pahalgam is where most pilgrims begin their trip. 
  • They trek almost thirty kilometers to Amarnath from there, traversing two mountain ranges along the route. 


Despite the fact that the area is sparsely populated for the most of the year, during the pilgrimage season, camps and shops sprout up along the road, many of which are operated by local Kashmiri Muslims for whom the trip is a significant source of income. 


  • The mahant, the local pandas (Hindu pilgrimage priests), and a handful of Muslims from a hamlet near Pahalgam divide the gifts at the shrine equally, though the state has done so since India's independence. 
  • Parts of Kashmir were a war zone in the early 1990s, with Indian government troops fighting a variety of Kashmiri Muslim factions, some of whom sought greater self-determination and others seeking union with Pakistan. 


The journey, which goes through some of the most disputed regions, has been hampered by these issues. 



  • Several assaults on pilgrims were recorded in 1994, allegedly spurred by pilgrims shouting anti-Muslim chants, and in 1995, the pilgrimage was conducted with strong security supplied by the Indian army. 
  • Although there was no political unrest during the 1996 pilgrimage, several hundred pilgrims perished from hypothermia brought on by an unseasonably warm snowfall.


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Hinduism - Who Is Vithoba?

 


The presiding deity of the same-named temple in Pandharpur, Maharashtra; Vithoba's other epithets include Vitthala and Pandurang.

Vithoba was a deified hero who was assimilated into the larger Hindu pantheon as a form of the god Vishnu, according to some theories.

Vishnu is drawn to Pandharpur by the filial piety of a young boy named Pundalika, according to the temple's founding legend.

When Vishnu arrives, Pundalika is massaging his father's feet, and when Vishnu requests the hospitality due to any guest, Pundalika only stops long enough to throw a brick over his shoulder, allowing the god to stand out of the mud.

Vishnu becomes rooted to that spot and has remained there ever since, impressed that Pundalika's devotion to his parents exceeds even his devotion to God; Vithoba's image depicts him with his hands on his hips (still waiting, perhaps, for Pundalika).

Apart from this story, Vithoba has a surprising lack of mythic history, despite becoming a powerful regional deity.

The Varkari Panth religious community, Vithoba's devotees (bhakta), make pilgrimages to Pandharpur twice a year.

Pilgrims travel from all over the world to visit Pandharpur, which is located in the Bhima River valley on the Maharashtra-Karnataka border.

Individual pilgrims travel in small groups known as dindis, which are usually made up of people from the same neighborhood or area.

The dindis are organized into palkhis, which are led by a palanquin (palkhi) bearing the san dals of one of the Varkari poet-saints.

Each palkhi leaves from a location associated with a particular saint—for example, Jnaneshvar's palkhi leaves from Alandi, where he lived, and thus he and all the other saints are still symbolically traveling to Pandharpur twice a year.

Each of these palkhis follows a predetermined route, and pilgrims time their departure and arrival in Pandharpur to coincide with the eleventh day (ekadashi) in the bright half of Ashadh (June–July) in the summer and the eleventh day in the bright half of Kartik (October–November) in the fall.

Pilgrims liken their journey to a small stream merging with other streams, eventually forming a mighty river that flows into Pandharpur.

Pilgrims sing devotional songs composed by poet-saints such as Jnaneshvar, Namdev, Eknath, Tukaram, Chokamela, Gora, Janabai, and Bahina Bai while on their journey.

By walking in the footsteps of the saints before them and singing their devotional songs, the pilgrims are emulating them.

The pilgrimage ends with the entry into Pandharpur and the worship of Vithoba, but the journey itself is the most important part.

G. A. Deleury's The Cult Of Vithoba, 1960; I. B. Karve's "On the Road," Journal of Asian Studies, Vol. 22 No. 1, 1962; and Digambar Balkrishna's Digambar Balkrishna's Digambar Balkrishna's Digambar Balkrishna's Digambar Balkrishna's Digambar Balkrishna Palkhi: An Indian Pilgrimage, edited by Mokashi, was first published in 1987.



Kiran Atma


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Hinduism - Where Is The Sacred Site Of Hinglaj In India?


Sacred location (tirtha) on the Arabian Sea coast in modern-day Pakistan's Baluchistan Province.

Hinglaj is one of the Shakti Pithas, a network of holy places dedicated to the goddess Sati spread over the Indian subcontinent.

Each Shakti Pitha symbolizes the spot where a severed goddess's body part fell to earth and was reborn as a different goddess; in Hinglaj's instance, the body part was the crown of Sati's head.

Hinglaj is the Shakti Pitha that is the furthest west of all the Shakti Pithas, and so reflects the ancient Hindu cultural area's farthest bounds.

The presiding deity of Hinglaj is recognized by several names, the most popular of which is Hinglaj Devi.

She is regarded as a strong goddess, partially because to her perilous position on India's outskirts, but also because the crown of the head (brahmarandhra) is seen as the highest and most powerful component of the subtle body.

The subtle body is an alternative physiological system that is said to exist on a distinct level of existence than the physical body, yet with certain similarities to it.

It's represented by a series of six psychic centers (chakras) that run nearly parallel to the spine.

The two divine principles, Shiva (consciousness) and Shakti (power), are located above and below these centers, with the latter at the base of the spine and the former at the top of the skull.

A visit to Hinglaj's shrine was deemed necessary for anybody seeking for yoga perfection because of her relationship with subtle body control.

By the 1800s, the region around her shrine had been totally taken over by Muslims, putting it outside the Hindu cultural zone.

Traveling outside of this region puts one's Hindu identity at jeopardy.

To avoid the dangers of traveling outside of this region, it became customary for ascetics who had been there on pilgrimage to be branded with her emblem upon their return to India, purifying them and remaking them as Hindus.

Political tensions between India and Pakistan have made it almost difficult for Hindu pilgrims to visit the site since their independence in 1947.

More information may be found in George Weston Briggs' Gorakhnath and the Kanphata Yogis, published in 1973. 


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Hinduism - What Is A Jatra? What Is The Difference Between Yatra And Jatra?



 Jatra and Yatra is a vernacular variant of the Sanskrit word yatra, which means "travel." 

The term yatra is most often used to refer to travels to distant locations, while jatra refers to visits to locations within the immediate vicinity.

 



In Sanskrit, yatra signifies 'journey' or 'procession.' 

Yatra is a pilgrimage to holy locations such as confluences of sacred rivers, sacred mountains, places linked with Hindu epics such as the Mahabharata and Ramayana, and other sacred destinations in numerous Indian-origin faiths such as Hinduism, Buddhism, Jainism, and Sikhism.





Pilgrims believe that visiting a holy site purifies them and brings them closer to the divine. 

  • The trip is as significant as the goal, and the difficulties of travel are an act of dedication in and of themselves. 
  • A tirtha-yatra is a pilgrimage to a holy spot that is usually done in a group. 





Anyone who participates in the yatra is referred to as a yatri. 

According to the Vedic Hindu Dharma Shastras, a Yatri should do padayatra, or pilgrimage on foot, preferably barefoot, as a type of tapasya in which the pilgrim should go without umbrellas or cars; nevertheless, many yatris do not observe these niyamas.


Yatras have become highly organized occurrences in recent years, with professional tourist organizations catering to yatris. 






  • State governments are sometimes engaged in organizing yearly yatras, assigning numbers, registering yatris, and controlling yatri traffic. 
  • Haridwar attracted 55 lakh (5.5 million) pilgrims in 2003. 


The term Jatra also refers to a journey or a trip but has a different origin of usage derived from traditional Jatra performances. 






The advent of Sri Chaitanya's Bhakti movement, where Chaitanya himself portrayed Rukmini in the performance of Rukmini Haran ("The kidnapping of the Charming Rukmini") from Krishna's life narrative, is often attributed with the genesis of jatra, which is essentially a musical theatre genre. 

Another example of a yatra undertaken by modern day devotees is the Rukmini Yatra.

The concert, which took place in 1507 AD and lasted all night, is detailed in Chaitanya Bhagavata, Chaitanya's hagiography written by a disciple named Vrindavana Dasa Thakura. 

Though there are evidences of the presence of a type of singing known as 'Carya', which was popular in Bengal between the 9th and 12th centuries and existed in Orissa at the same time as the famous 'Carya Padas' style. 

Jatra performances are similar to Uttar Pradesh's Nautanki, Maharashtra's Tamasha, and Gujarat's Bhavai.





Though it originated in a religious setting abounding with diverse Bhakti Hinduism groups, it was superseded by morally didactic material towards the end of the 19th century, and finally became secular when it gained access into urban proscenium theatres during the Bengal Renaissance

The Jatra form's longevity in a fast changing social environment, while catering to a diverse audience, has been attributed to its inherent malleability and ability to adapt to shifting social dynamics, keeping it not just current and alive, but also flourishing.



~Kiran Atma


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